Word: mirroring
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Dates: during 1970-1979
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...like the ladies' fans, which they snap open and shut in precise timing with their lines, and the gestures of the fops and dandies underscore the contrived nature of the life Wycherly satirizes. In the first scene, everyone who walks on stage stops to preen in a full-length mirror, immediately setting the tone for what follows. Very little is chancy or slipshod when it comes to blocking or movement...
...members, who give 10% of their gross income, and profits from such church holdings as a good chunk of downtown Salt Lake City, 326,500 acres elsewhere, insurance companies with $383 million in assets, the Salt Lake newspaper, eleven radio stations and two TV stations, $36 million in Times-Mirror Co. shares (3% of the total company stock), and controlling interest in a department-store chain and a beet-sugar firm...
...investigation was wound up in December 1975. A full report was given to Franklin Murphy, an outside director who is chairman of the Ford board's audit committee and also chairman of the Los Angeles Times Mirror Co. Murphy had never authorized the investigation in the first place. The elaborate examination produced no damaging information about Iacocca. According to his friends, lacocca is enraged by the thought that people within the company may be spreading rumors concerning his personal life and finances...
...events tended to become the essential subject for many photographers. The retreat from public posture also combined with personal fantasy, reverie and wit. The result has been a rather low-pressure art that refuses to strum on the heartstrings. For convenience, Szarkowski divides the images in this show into "mirrors"?pictures that mean to describe the photographer's own sensibility?and "windows"?realist photos of fact, including the facts of photography seen as a system. In short, the romantic vs. the realist: but it is not a very strict dichotomy, as Szarkowski himself stresses. The typical photo...
...next appeared in a very different work, Jerome Robbins' Afternoon of a Faun, which has almost no steps at all. It is a brief, seductive work about two dancers practicing in front of a "mirror" (actually the proscenium) and gradually making enigmatic erotic contact with each other. Baryshnikov's first original Balanchine works are Stars and Stripes and Rubies, both of which happen to call for speed, wit and fiendish virtuosity...