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That's evident in Scenes de Ballet, set to the delectable score by Igor Stravinsky. Ian Falconer's set depicts a ballet classroom bisected by a barre and an imaginary mirror; the cast is similarly divided into "real" dancers and their "reflections." At one point, a child gazes into the mirror and her image vanishes, replaced by two teenagers who dance together rapturously as she looks on, spellbound...

Author: /time Magazine | Title: Dance: Christopher Wheeldon: Master of His Domain | 5/31/1999 | See Source »

...morals, no ethics, no respect for others and contempt for family values, what we have just witnessed may be only the beginning of horrors we cannot even imagine today. You want to know where the problem lies? For most of us, the answer is no farther than the nearest mirror. DAVID WRAY Littleton, Colo...

Author: /time Magazine | Title: Letters: May 24, 1999 | 5/24/1999 | See Source »

Photographer Nan Goldin is perhaps best known for her photographic monograph "The Ballad of Sexual Dependency." In addition, her travelling exhibition "I'll Be Your Mirror" has appeared at several European museums...

Author: By Joseph P. Chase, CONTRIBUTING WRITER | Title: VES Visitors | 5/17/1999 | See Source »

...Throughout the book, changes in the city environment where the characters live seem to mirror their aging process. In "Old Love Affairs," Lucretia Baine, who is "almost old but lively," remembers her youth in San Francisco, when "the whole city seemed full of the relatively young and unmarried" and the youthful energy of the city had not yet been corrupted. Now, although she still excitedly wonders what to wear when an old acquaintance asks her to dinner, that freshness is gone, and she feels the city has grown older with...

Author: By Tatiana Gonzalez, CONTRIBUTING WRITER | Title: More Maud: Geriatric Vixens | 5/14/1999 | See Source »

...find as attractive, as, say, horses or bunnies) and our own human vanity through the Narcissus allegory but on the inherent vanity in artistic expression as well. The photograph is also a display of Norfleet's artistic ingenuity, as it integrates both the insect and its mirror image seamlessly. Later in the book, "Of Course We Prayed" presents a similar commentary, as Norfleet uses praying mantises as a clever pun on her perception of the spirituality in America today...

Author: By Christina B. Rosenberger, CONTRIBUTING WRITER | Title: Red Sunsets, Emerald Beatles | 5/14/1999 | See Source »

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