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...vibrant, entrancing stage personality with a beautifully phrased trumpet and a voice that had lost none of its pre-war quality. It also became clear that his band was too loud. The high points came on the old Armstrong milestones like "Save It Pretty Mama" and "Ain't Misbehavin'" on which Louis sounded just about the same as he has for the last fifteen years...

Author: NO WRITER ATTRIBUTED | Title: Jazz: | 4/21/1947 | See Source »

...prime pianistic inspiration, James Price Johnson. Genial, blue-black Jimmie worked out on a Steinway at one of Guitarist Eddie Condon's rousing jazz concerts in Manhattan's Town Hall, played a medley of Fats Waller's tunes including Honeysuckle Rose, Clothesline Ballet, Ain't Misbehavin'. He played them the way Fats would have wanted them played...

Author: /time Magazine | Title: Music: Jimmie | 12/27/1943 | See Source »

Died. Thomas Wright ("Fats") Waller, 39, famed jazz pianist and composer (TIME, Aug. 9); of bronchopneumonia; in Kansas City. A Harlem pastor's son, portly, powerful, 2/o-lb. Fats Waller wrote such jazz classics as Honeysuckle Rose, Ain't Misbehavin', My Fate Is in Your Hands, I've Got a Feelin' I'm Fallin'. He once defined swing (for a serious young woman): "Lady...

Author: /time Magazine | Title: Milestones, Dec. 27, 1943 | 12/27/1943 | See Source »

...cooked up some good ones before. Among them: Ain't Misbehavin', I've Got a Feelin' I'm Fallin', Keepin' Out of Mischief Now. Waller has collaborated with many a lyricist. Some of his best results he turned out with Andy Razaf, his favorite poet next to Longfellow.* During one rewarding session in retreat at Anbury Park, N.J., the two men turned out Zonky, My Fate Is in Your Hands and Honeysuckle Rose in two hours. Razaf had enticed Waller into his mother's Asbury Park home for a productive session away...

Author: /time Magazine | Title: Music: How Tom Is Doin' | 8/9/1943 | See Source »

...addition to writing such swing classics as "Honeysuckle Rose" and "Ain't Misbehavin'," Fats makes a specialty of taking hopelessly syrupy tunes that no other swing band would touch, and converting them into classics that keep the record collectors scrambling. Historic examples of this trait are "Sweet and Low" and "West Wind," with lyrics as only Fats can do them...

Author: By Michael Levin, | Title: Swing | 10/13/1939 | See Source »

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