Word: miscasts
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...virtual unknowns. Its star soprano was Griffeth's wife, Myra Cordell, a Northwestern University voice graduate. The music director was a former security guard who had conducted a children's choir in West Germany. Even Griffeth, a $369-a-week credit manager for a Chicago company, seemed miscast as an impresario...
...romance when he finds the shockingly explicit love poems by Swinburne that young Richard Miller has smuggled to his daughter. Heart-broken, Richard goes out for a night on the town with a friend of a friend whom he discovers to be a common prostitute. Daniel Sherman, the director, miscast Lydia Alix Fillingham as the whore. She perches on Richard's lap when she should sprawl. Her effort at a hard-boiled accent fails utterly. Though drinking steadily, she never allows presumably progressive tipsiness to impede her finicky, wooden speech patterns. Admittedly, the old-fashioned slang hampers Fillingham...
...honest, I'd have to say that the director (Holly Sargent) miscast many of the roles...
...SUPPORTING couple, Lois (Mary Fedor) and Bill (John Stimpson) were thoroughly miscast. Though she looks, appropriately, like an ex-nightclubber, she couldn't sing more than four notes on key. Him, well, he belongs on a junior varsity high school basketball team doing lay-ups instead of prancing around in tights...
...Dudley House production is full of good actors; unfortunately, the role of Alceste is miscast and the weak lead seriously disables this Misanthrope. The show lacks pacing and modulations of tone. Alceste's non-stop bombast ruins Moliere's clever commentary on the futility of one sincere idealist's battle against a self-deceiving world. The Misanthrope is a drawing-room comedy, and this version still needs a little work back at the drawing board...