Word: mise
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Dates: during 1980-1989
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...most "message" movies, the true ideological enemy is nuance. Plot is reduced to polemic; characters become walking placards of good or evil; emotional shading is obscured by stolid or hammy acting; the mise en scène angles each shot like a schoolroom pointer. Moonlighting undercuts the genre's stylistic totalitarianism with deadpan comedy, and reveals its message through vignettes, moods, gestures, faces. Jeremy Irons' dour, handsome face suggests the first strokes of a political cartoon from an East European underground newspaper. Nowak is the story's narrator, its star and its sensibility, and Skolimowski challenges...
...Bavaria: neon pinks and oranges in the toilets, navy blue seats against a sick-yellow wall, clashing as grotesquely as the local big shots do against the righteous Von Bohm. Their avarice is petty bourgeois, the stuff of small-town scandals in any country, but Fassbinder's mise en scene suggests that the subject, as well as the style, is Early Hitler...
...September, when the Administration was about to submit the sale formally, many legislators were openly insisting that they would never vote yes unless there were some sort of joint-control arrangement for the AW ACS planes. With Reagan's permission, Allen joined the group effort to negotiate a compro mise. His efforts aroused the ire of Haig, who felt that Allen was usurping a State Department role. In any case, it failed when word of the attempt leaked, all but forcing the proud Saudis to say no. Reagan was left with no way to win approval, ex cept to plead...
...scrape together as much as $1,500 for the trip to Florida. The passage is usually unpleasant, sometimes fatal. Raymond Antoine, 46, is a Krome Avenue North inmate who spent five weeks in a small boat with 148 fellow Haitians. Asked why he persevered, he said, "Misė, miseė [Poverty, poverty!] My eight children are starving. I have to get work, money to feed them from here...
...unalloyed success of the evening. A.R.T. subscribers horrified at the high-tech circus of Lulu or put off by the gloomy Brechtian neon of Seven Deadly Sins earlier this year will be happy to hear that Figaro is staged straight, with period costumes by Rita Ryack. But the traditional mise-en-scene does not petrify the show. Edmunds has placed the Countess's bedroom, the courtroom, and the other havens of aristocracy underneath a patently fake proscenium, upstage; in the wings, stretching around the audience are the kitchens, dressing rooms and lofts of the servants; and most of the action...