Word: mise
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...scrape together as much as $1,500 for the trip to Florida. The passage is usually unpleasant, sometimes fatal. Raymond Antoine, 46, is a Krome Avenue North inmate who spent five weeks in a small boat with 148 fellow Haitians. Asked why he persevered, he said, "Misė, miseė [Poverty, poverty!] My eight children are starving. I have to get work, money to feed them from here...
...unalloyed success of the evening. A.R.T. subscribers horrified at the high-tech circus of Lulu or put off by the gloomy Brechtian neon of Seven Deadly Sins earlier this year will be happy to hear that Figaro is staged straight, with period costumes by Rita Ryack. But the traditional mise-en-scene does not petrify the show. Edmunds has placed the Countess's bedroom, the courtroom, and the other havens of aristocracy underneath a patently fake proscenium, upstage; in the wings, stretching around the audience are the kitchens, dressing rooms and lofts of the servants; and most of the action...
SYBERBERG'S VISIONS of the Hitler phenomenon are tied together from part to part by the wanderings of Amelie Syberberg--the director's child--through the mise-en-scene. Cuddling a stuffed dog with swastika tags, hurrying from corpse to corpse, the rubble of the bombed Reichstag. She begins and ends each part of Our Hitler, and she leads us to Hitler's last stand, where the ventriloquist approaches his Hitler dummy and puts him on trial. "You are to blame for the successful imperialism of Moscow, Adolph Hitler. You are to blame for the eternal Jew, wandering, for homes...
...course it all takes patience, years of it--days of drawing the same tiny figures on the same background until the artist gives up and changes his mise-en-scene with the flick of his Bic. It is almost incomprehensible how many thousands of drawings must be transferred to celluloid for one short animated film. Michaelangelo might have preferred to paint the ceiling of Madison Square Garden rather than make an animated short...
...drew upon the thematic and philosophical features of Cries and Whispers, while Manhattan reveals many shooting devices typical of Bergman's films, including the temporal prolongation of shots made possible by photographing characters in close-up with the moving camera. By doing so, Allen decreases the theatrical nature of mise-en-scene characteristic of his previous movies (including Annie Hall in which dialogue has been filmed mainly by a stationary camera in front of which the characters perform their parts while the audience views the "scene" from a single perspective). In Manhattan, such a histrionic camera set-up is almost...