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Word: mised (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...Italy. Based on a novel by Alberto Moravia, the film reproduces the Italy and France of the 1930s with almost operatic splendor; no recent film has been so visually lush or stylistically exhilarating. It is a pity that the scenario cannot quite meet the demands of the mise en scene...

Author: /time Magazine | Title: Cinema: Abnormal to a Fault | 4/5/1971 | See Source »

...rare in theater. I am sure that tonight's performance of The Days of the Commune will measure up, on the whole, as a success-if only for this robust fusion of music and dramatic spectacle. In Sanders, the slide-show of period engravings and photographs should make the mise en scene more convincing-and, with a little more coordination of scene changes, less awkward. In any event, Brecht, Eisler, Lehrman and his company merit the whole University's attention. Tonight may be a sequel to the teach-in. It may be something more...

Author: By James M. Lewis, | Title: Theatre Days of the Commune at Sanders Theatre at 8:30 p.m. tonight | 3/17/1971 | See Source »

...THINGS are there," Rossellini has said. "Why manipulate them?" To this end he has restrained his camera, withholding it at the limits of impartiality. His mise en scene is open and anti-compositional. Improvisational. Accidental. Noble acts and momentous events happen in the same way and produce the same impression as events of everyday life. He is the antithesis of baroque, while the famous royal style of Louis XIV is baroque itself. Baroque elevated to the level of classicism. Dramaturgy, glorifying in each new detail it brings under its sway...

Author: By Larry Ahart, | Title: Film The Rise of Louis XIV at Harvard Epworth Church | 11/14/1970 | See Source »

...Thulin and her contrite Bogarde employs dialogue no real person ever uttered. Visconti offers us human passions and errors on a grander scale than the realistic. Thus his blocking of scenes, which is heavy and slow, focuses dramatic energy inward onto the relationships of the Essenbeck family. Visconti's mise-en-scene is equally grandiose, incorporating massive interiors and immense spaces. It helps integrate the characters into one pattern of contrary emotional drives. The film's confinement within one mansion becomes the best way to maintain intense and unified oppositions of personal lust...

Author: By Mike PROKOSCI I, | Title: The Moviegoer The Damned at the Cheri Theater | 3/4/1970 | See Source »

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