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...also puts viewers in touch with director David Fincher's preferred mise-en-scene, which is almost always dark and, more important, damp--with rusty water, gushing blood and other bodily fluids of less determinable origins. It's definitely a style--see his Seven of a few years ago--and it enforces the contrast between the sterilities of his characters' aboveground life and their underground one. Water, even when it's polluted, is the source of life; blood, even when it's carelessly spilled, is the symbol of life being fully lived. To put his point simply: it's better...

Author: /time Magazine | Title: Cinema: Conditional Knockout | 10/11/1999 | See Source »

Audiences today still get the irony of the Graduate line, although the aesthetic context has been altered now that, thanks to the rise of the postmodern sort of irony, cheesiness has hip cachet and plastic is no longer anathema. Indeed, the movie's mise-en-scene now has unintended resonances. While the filmmakers' intent was to fashion "a scarifying picture of the raw vulgarity of the swimming-pool rich," as Bosley Crowther wrote 30 years ago in the New York Times (this was an era when commentators were concerned with the social pathologies of the rich rather than the poor...

Author: /time Magazine | Title: JUST ONE WORD | 7/14/1997 | See Source »

...good that it's difficult--if not impossible--to pick out particular stars. Among the men folk, it's a toss-up between Erik Amblad '98-'99 as the jovial but whiplash-afflicted and increasingly harried tax analyst Lenny Ganz, who takes over from Ken as mise-en-scene of "keeping up appearances," and Jesse J. Hawkes '99 as the psychotherapist Ernie Cusack, who's at once the shrewdest and the farthest off-base of the entire party...

Author: By Lynn Y. Lee, | Title: How to Make 'Rumors' Flourish | 5/1/1997 | See Source »

Cindy Sherman, the artist who rose to fame in the '80s for slightly creepy photos of herself in various guises, will now flex those creepy muscles as director of an unnamed independent horror movie. "She has great command of the mise-en-scene," says producer Christine Vachon, who worked with photographer Larry Clark on Kids. "She just needed a little push...

Author: /time Magazine | Title: People, Feb. 26, 1996 | 2/26/1996 | See Source »

...still warmed the heart. For if last week's ceremony lacked the breakthrough drama of its predecessor, it offered something the earlier accord did not--a blueprint for peace and reconciliation unprecedented in its scope and detail. Stage managers from the Clinton Administration did their bit to improve the mise-en-scene, having decided as long ago as last July that this ceremony, if it ever happened, would be enhanced by the presence of Egyptian President Hosni Mubarak and King Hussein of Jordan. Further hand-holding from the White House became necessary when Rabin and Arafat balked over an unresolved...

Author: /time Magazine | Title: THE PEACE OF THE BRAVE | 10/9/1995 | See Source »

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