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...Trying to figure out fashion at Harvard is like trying to figure out what the "three meats" are in the dining hall's "three meat lasagna." It's a big mish-mash of good, bad and often ugly. It's like any normal school--only with a lot more prepsters and Gucci-lovers. But a friend of mine--a "proven" trendsetter (remember Hypercolor? That was all her. Cavariccis? Yup, those too.)--last week discovered the ultimate in cool. It has all the potential of a "crossover"--an unlikely bridge over the oh-so-wide gap between the flannel wearers...

Author: By Soman S. Chainani, CRIMSON STAFF WRITER | Title: Soman's In The [K]Now | 10/1/1999 | See Source »

Harvard has also flirted with queer studies, a mish-mash of 1960s performance theory and post-structuralism. Marxist cultural criticism and post-modernist theories seem to be mainstays of many introductory humanities courses...

Author: By Marc J. Ambinder, | Title: Here Come the Gender Theorists | 3/11/1999 | See Source »

...thefirst track, is a surprisingly insipid start tothe album. Trying to muster resentment, she offersus a long stream-of-consciousness account of lovegone wrong. Words pile on words as the standardchorus is layered with dense sub-vocals thatslowly collapse into indecipherable clamor. Thesong turns out to be a mish-mash of etherealchattiness rather than a compelling introduction...

Author: By Soman S. Chainani, | Title: You Oughta Know the softer side of ALANIS | 11/6/1998 | See Source »

...Gore had just been read some of the letters he wrote during his years at Harvard. The letters, recently published in the New Yorker, were not all that remarkable for a student writing home in the late-1960s, a mish-mash of misplaced idealism and rampant cynicism about the U.S. Government...

Author: By David L. Bosco, | Title: The Gore Letters | 11/23/1994 | See Source »

Michael tells Leleina that "some of our best guys" have been working on the video to make it suitable for broadcast, and she has high hopes. However, almost immediately after the video begins playing, Leleina realizes that her serious work has been transformed into an MTV-style mish-mash of jumpy editing, silly graphics, and meaningless buzz words topped off with a soundtrack of hip tunes. Disillusioned, she tells Michael that their relationship is over and she storms out of the building...

Author: By John Donahue, | Title: Reality Bites More Than It Can Chew | 3/3/1994 | See Source »

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