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That year, an Eliot junior and Olympic figure skater named John Misha Petkevich ‘72 met several “Jimmy Fund kids” while at the Children’s Hospital in Boston. He was so moved that he decided immediately, with his friend John Powers, to put his own exceptional talents to their benefit in any way he could. What had begun in concept as a figure-skating show for the kids themselves evolved almost immediately into a fundraising event for the Jimmy Fund, a one-time-only gathering of “Misha?...

Author: By Brian P. Quinn, CRIMSON STAFF WRITER | Title: An Eliot Tradition: The Jimmy Fund's Friends From Across the Charles | 10/4/2001 | See Source »

Evening with Champions has been an annual Eliot House tradition since John Misha Petkevich '71 started...

Author: By Anne K. Kofol, CONTRIBUTING WRITER | Title: Eliot House Hosts Annual Ice Skating Show, Cancer Fundraiser | 10/23/2000 | See Source »

Mohring said she is especially excited about the alumni dinner this Saturday, hosted by founder John Misha Petkevich '71-73, at which the co-chairs will be meeting past skaters and coaches who have come to Cambridge for the anniversary performance...

Author: By Kristin L. Rakowski, CONTRIBUTING WRITER | Title: Former Champion Skaters Flock to 30th 'Evening' | 10/15/1999 | See Source »

...what young hotshot is going to fill his ballet slippers? A.B.T.'s Ethan Stiefel debuted in the Baryshnikov role of Twyla Tharp's Push Comes to Shove in New York City last week, giving a performance that had the stylistic curiosity, the eye-grabbing virtuosity--everything, in fact, but Misha's sly wit. There will never, ever be another Baryshnikov, but Stiefel, 26, is well on his way to becoming the great American male ballet dancer of his generation...

Author: /time Magazine | Title: Dance: Push Comes To Shove | 6/21/1999 | See Source »

...beginning of the film contains another visual treat: a sly reference to Saturday Night Fever. As Misha steps off the train in Moscow clad in beige plaid and an orange scraf, he participates in a crazed dance sequence before Ursulyak rapidly cuts to a more somberly dressed Misha, stripped of his fantasies, standing in a drizzle outside the train station. At the end of the film, Misha's brightly colored Moscow fades into gray...

Author: By Elizabeth A. Murphy, CONTRIBUTING WRITER | Title: Finally, a Festival Worth Seeing | 11/14/1997 | See Source »

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