Word: mishima
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...MANY CRITICS have claimed, Kobo Abe is the best living Japanese novelist, it may only be because so many others (most notably Yukio Mishima and Yasunari Kawabata) have committed suicide. The irony, however, is that for the leading literary figure in Japan, Abe's writing has a remarkably Western flavor. Except for place names and a few distinctly oriental metaphors ("his thoughts shrank like a piece of fat meat plunged into boiling water"), Secret Rendezvous. Abe's sixth and most recent book could pass, like his others, for a Western novel...
...automobile was a suicide weapon, traffic deaths should increase after widely reported suicides. He analyzed California traffic fatalities from 1966 to 1973, comparing figures for ordinary weeks with statistics for weeks following suicides that were highly publicized in the state, including those of Playwright William Inge, Japanese Novelist Yukio Mishima and California Wine Maker A. Korbel. Phillips' finding: on the third day after such a suicide, auto fatalities rose by 30%; they leveled off for the week at 9% above normal. "In general," notes Phillips, "the more publicity given to the suicide story, the more the number of auto...
...role in building Israel's defenses. At home in his small, book-lined apartment in Tel Aviv, where he lives with his wife Sonia and two of his three children, he speaks mainly of literature; his tastes range from Norman Mailer to Fyodor Dostoyevsky and Yukio Mishima...
...reading list was Exhibit A of the hirsute instructor's presentation. Containing authors more properly suited to a philosophy course--Huizinga, Ortega Gasset, and Mishima, among others--the list had enough clout to frighten away more than half of those who showed up for the supposed joyride...
Oshima extrapolated the film from a real incident. In Tokyo in the 1930s, a prostitute concluded her love affair with a gangster by castrating him, then wandered the streets for several days carrying his severed sex organs. Haunted by Genet and Mishima, animated by memories of De Sade, Oshima splashes a devious course to this bloody resolution. He has the gangster and the whore coupling incessantly, in attitudes reminiscent of the delicate rough-and-tumble of erotic Japanese watercolors. The point of all this-that the full realization of passion is its own justification, that death is the ultimate orgasm...