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Word: misogynists (lookup in dictionary) (lookup stats)
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...Stronger is not a feminist play--Strindberg is commonly considered a misogynist--but it portrays women whose lives are defined by their relations with a man (the unnamed husband of one, who had an affair with the other). As director Sonya Rasminsky '92 says, "if the man were to disappear, these women would have no relationship...

Author: By David B. Lurie, | Title: Women's Theater Issues | 2/8/1991 | See Source »

...women's movement, many problems remain. Harvard drama dealt with this darker side extensively in another double billing, SexGod, two plays written by Robert Coover. The second of these, A Theological position, was a deeply disturbing presentation of sexuality and gender that many people saw as brutal and misogynist...

Author: By David B. Lurie, | Title: Women's Theater Issues | 2/8/1991 | See Source »

...increases, the woman writhes in apparent ectasy which escalates to laughter. At the end of the play, her "cunt," a voice characterization by another actress, begins to yell at the men, attacking them for their hypocrisy. Though I believe this final twist is meant to justify the previously presented misogynist attitudes and violence, it is not enough to counter the rest of the action of the play. The woman is eventually silenced--killed by a corkscrew...

Author: NO WRITER ATTRIBUTED | Title: The Readers Respond... | 11/16/1990 | See Source »

...fanaticism in their lives, the directors have a responsibilty not only to recognize it, but to flesh it out. But in this play, there is no theatrical middle ground--if Javerbaum underplays his role, Munger and Wolkenbreit more than compensate with their overacting. Munger's portrayal of the crude misogynist, Karl, is far too simplistic; he wears a foolish leer on his face throughout the play. Wolkenbreit flatly renders Soot as the stereotypically silly woman...

Author: By Suzanne PETREN Moritz, | Title: Durang's Family Tragedy | 10/26/1990 | See Source »

...other and their attitudes towards betrayal in general. Kiser's Robert viciously internalizes the bitterness which the affair has engendered in him, but refuses to acknowledge it in himself. He maintains an outwardly stable friendship with Jerry, meeting him regularly for lunch. At the same time, he issues a misogynist tirade about "girl babies" that is a thinly veiled attack on Emma. Kiser's tense, self-controlled performance is inarguably the show's most memorable...

Author: By Adam E. Pachter, | Title: Betrayed by Directorial Determinism | 10/5/1990 | See Source »

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