Word: missed
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Dates: during 1950-1959
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...prostitute, and not by a woman with a sincere desire to escape from her past and begin life anew with the security of marriage. Likewise, the scene with the young bill collector is completely lacking in lyric quality and only the primitive element is played. The way in which Miss Humphrey delivers, "I've got to be good--and keep my hands off children," using her lower register and a drunken slur, is strongly reminiscent of Tallulah Bankhead. There is nothing gossamer here...
...Summit, Miss...
...Beatrice and Benedick, Rosemary Harris and Barry Morse make a strong pair of unwilling lovers, spitting out their wit with clarity and verve. Miss Harris properly "speaks poniards, and every word stabs"; and Morse "hath a heart as sound as a bell and his tongue is the clapper...
...sure, Miss Swenson does not give us precisely the Juliet that the playwright intended: a nymphet not yet quite fourteen years old. But this is a Juliet we shall probably never see, until perhaps someone revives Shakespeare's practice of having his heroines played by young boys. Miss Swenson is, I should guess, twice Juliet's age; yet she gives us a Juliet who is clearly a teenager, and that is in itself a rare achievement. She underscores the impression with occasional youthful bits of business, such as tossing her breviary up in the air and catching it again...
...yellow sunsuit") distinguished herself chiefly by becoming the first performer ever to steal a scene from Jerry Lewis. In Around the World in Eighty Days (1956), she tripped into a memorable bit of miscasting-Ouida, the Hindu princess. Despite wig and dark makeup. Shirley looked about as Indian as Miss Rheingold, but she had no regrets. "Golly," she wrote a New York roommate about Producer Mike Todd, "he never came within three feet of pinching...