Word: misses
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Dates: during 1890-1899
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...second week continues to draw large crowds at the Boston Theatre. The various pleasing dances and songs especially the ever delightful "Razzle Dazzle" trio in the second act never fail to evoke merited applause. The leading parts are well sustained by Mr. George F. Marion, Mr. Leslie, and Miss Flora Walsh, although Mr. Lesiie as "Doolittle Work," is a trifle too cold in his gestures and actions. The three members of the "Razzle-Dazzle" trio were unimpeachable as examples of toughness and their various evolutions in the songs caused repeated encores. As a whole the "Brass Monkey" has too much...
Margaret Winthrop Hall, 21 Chauncey St., is a home under the care of Miss Mary Fosdick, for young ladies who attend the Cambridge School and wish to take advantage of the opportunities for cultivation in Boston and Cambridge. The Hall was built and planned for this purpose. The warming and ventilation have recelved special attention. The number that can be accommodated is small. Applicants should be over four-teen years of age. Apply...
...scenes are simply and unnecessarily disagreable. Robson's acting is as amusing as ever, and the same as ever. There is nothing new in his conception of Bertie Vanalstyne, and perhaps his admirers will be glad of it. The rest of the company deserves only negative praise. Miss Katherine Florence as Agnes is pretty and never offensive, Mr. Frank Mordaunt as Nicholas Vanalstyne imitates Crane with tolerable success...
...engagement is announced of H. W. Vorse '89, to Miss Whitney of New York...
...soloist, Miss Rose Stewart, has a sophrano voice of medium range, rather flexible, but of little power. The fine acoustics of Sanders helped to overcome this defect. On the whole Miss Stewart was not up to the average of symphony soloists. She was most successful in the Mad Song from "Hamlet" which displayed the powers of her voice to best advantage. The music of this "Scene," however, is hardly up to the level of Shakespeare. The set of Persian Love Songs by Rubinstein would have had a better effect in a smaller auditorium. Weber's "Freischuetz" overture made a fitting...