Word: misses
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Dates: during 1910-1919
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...acting is smooth and even, without particular stars, rather suggesting stock company work in the individuality of the minor parts. Mrs. Tighe is the most natural and confident, and therefore the most convincing. Miss Feeley's restlessness in the first act may be due to the great speed with which things happen to her--she comes back from dinner almost before she starts--, for in the later acts she seems entirely at ease. Mr. Walker does well with a part which the author could make less difficult by deciding whether or not it is to be taken seriously; Mr. Manson...
...building is the result of a bequest of $50,000 made during the year 1912-13 by Miss Harriet Cruft, and is to be known as the Cruft Memorial Laboratory...
...Miss Cruft has recently given an additional sum to be used in purchasing equipment. The building stands nearly opposite Langdell Hall in the space between Pierce Hall and the Jefferson Laboratory. It is three stories in height with a loft for storage purposes. The structure represents the latest ideas in cement construction, no wood whatever having been used in the framework. It is, of course, absolutely fireproof and has every conceivable modern improvement. Ground for the building was broken a year ago this fall and since then the work has been hurried as much as possible in order to have...
Godin, a cork manufacturer, H. Scholle '18Juglar, an ex-adjutant of cuirassiers, C. G. Paulding '18Rebiffe, H. W. Salisbury '17Fanny Bilbock, Miss Margery BrownMadame Malechard, Miss Nanciebel RodgersCeleste, Godin's daughter, Miss Doris HalmanJeanne, Celeste's sister, Miss Marjorie WilliamsCesarine, Jeanne's sister, Miss Priscilla MayClapote, a maid, Miss Dorothy MoranVicomte de l'Estrapade, A. Shortt '17Prosper Malechard, H. D. Jordan '18Seraphin, T. Nelson '18Inspector, B. Snow '15Policeman, W. W. Sanders '17Passenger, J. R. Dos Passos '16Official, G. P. Slade '17Leon, P. A. Bedard '17Jules, R. Littell '18Felicien, C. W. Jenks '15Passenger, Miss Ruth Babso
...important topic of the French theatres and an interpreter of high critical standards who is thoroughly familiar with his subject should change indifference to interest. It may or may not be our fault that we show little curiosity in "Nietzsche"; we are certainly to blame if we miss hearing of an art that touches a great part of the French people, and is universal in its influence...