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Word: misses (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Normal newborn infants need reassurance too. Reasoning that newborn babies cry, at least in part, because they miss the sound of their mother's heartbeat, Dr. Hajime Murooka of Tokyo's Nippon Medical College inserted a minuscule microphone into the wombs of three expectant mothers and taped their heartbeats. When the taped heartbeat was played back to 300 crying babies (20 of them preemies), 85% either went to sleep at once or stopped crying in a minute. The word spread quickly throughout Japan, and heartbeat cassettes and records are selling at a brisk rate. But Murooka warns that...

Author: /time Magazine | Title: Medicine: Fertility Drugs: A Mixed Blessing | 5/19/1975 | See Source »

From the beginning, Cambodia was Sydney Schanberg's story. He had covered the country's often baffling civil war from its first days in 1970 for the New York Times, and he was determined not to miss its end. Ignoring his editors' orders to leave Phnom-Penh last month, he chose to stay behind to report the city's fall. Last week Schanberg's considerably risky decision paid off impressively. Having emerged at the Thailand border after 17 days of suspenseful silence, he filed a remarkable retrospective on the Communist takeover that filled more than...

Author: /time Magazine | Title: The Press: Schanberg's Score | 5/19/1975 | See Source »

Street Stud. The petals are all bruised in Miss Janie: an ice-cool, second-rate white guitarist; a cocky, unconsciously comic black nationalist; an ex-beatnik Jewish poet adrift on drugs; a dutiful black wife two-timed by her best friend, who comes through the back door every time she goes out the front...

Author: /time Magazine | Title: The Theater: Requiem for the '60s | 5/19/1975 | See Source »

...TAKING OF MISS JANIE by ED BULLINS...

Author: /time Magazine | Title: The Theater: Requiem for the '60s | 5/19/1975 | See Source »

...would be quite wrong to think of The Taking of Miss Janie as a dirge. Black Playwright Ed Bullins often uses a party as the central structure of his plays, and he does it again here. Even when it is slightly sick, a Bullins party jives. The people talk a vivid street idiom with the fluent opulence of jazz. Their moods dance. They make hot, sly, funny, drunken, sexy scenes together that have the cumulative impact of a seduction. Then they fall apart in revealing stop-motion monologues as if a petal were trying to be a flower...

Author: /time Magazine | Title: The Theater: Requiem for the '60s | 5/19/1975 | See Source »

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