Search Details

Word: misses (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

...aging diva. Yet how boldly the types are cast, and how fresh the music. It was a good show, even though Director Frank Corsaro placed the action in the Edwardian era in a wasted effort to provide contrast with the Salieri. Sopranos Karan Armstrong (Goldentrill) and Ruth Welting (Miss Silverpeal) filled the theater with fine singing and fetching looks...

Author: /time Magazine | Title: Music: Opera's Summer Rites | 7/29/1974 | See Source »

...unostentatious Baptist who stands about 5 ft. 4 in. tall, Allbritton scarcely fits the image of a towering Texas wheeler-dealer. But he is justly credited for what a friend calls "an absolute genius for making money." Born in tiny D'lo, Miss., he founded a savings and loan association after receiving a law degree from Baylor University in 1949; eventually he built a fortune in land, insurance and banking...

Author: /time Magazine | Title: The Press: A Texan Takes the Star | 7/29/1974 | See Source »

...Guerre Est Finie isn't playing at the Science Center because it's playing at the Brattle, and it's really too good and too intelligent a movie to miss. Alain Resnais directed and Yves Montand starred in this account of the trials and tribulations of the Old Left revolutionary, and the sympathetic understanding they convey about politics as a vocation surpasses a lot of the stuff sociologists have written on the subject...

Author: NO WRITER ATTRIBUTED | Title: THE SCREEN | 7/26/1974 | See Source »

...fighting instinct too much in the first act, and one mutters, "At last!," when she really lets go in the third. I like the idea ok having her aim her archery bow at Mae's back. I did not care at all for Barbara Bel Geddes' Maggie on Broadway; Miss Ashley's here is as impressive as I have seen...

Author: NO WRITER ATTRIBUTED | Title: Williams's 'Cat' Revised and Revived | 7/26/1974 | See Source »

Kate Reid's Big Mama is hyperactive, rowdy, and gross. This is far different from Mildred Dunnock on Broadway, but it is closer to what Williams indicates in the text, where Big Mama is likened to a "Japanese wrestler." Miss Reid has a way of sitting with her legs apart in a most unladylike fashion, and vomits the word "crap" so as to make it seem the vilest word ever invented. Her characterization makes Big Mama and Big Daddy almost two of a kind--which is something of a novelty...

Author: NO WRITER ATTRIBUTED | Title: Williams's 'Cat' Revised and Revived | 7/26/1974 | See Source »

Previous | 181 | 182 | 183 | 184 | 185 | 186 | 187 | 188 | 189 | 190 | 191 | 192 | 193 | 194 | 195 | 196 | 197 | 198 | 199 | 200 | 201 | Next