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...speak, Housman drives down the lane and converts the layin, his first shot attempt of the game, if I'm not mistaken. Two Brown free throws keeps it a 13-point ballgame though. [Brown 70, Harvard...

Author: NO WRITER ATTRIBUTED | Title: CRIMSON LIVE BLOG: Men's Hoops vs. Brown | 3/7/2008 | See Source »

...especially unfortunate), totally in control in others (do we thank Portman or Mike Nichols for her work in Closer?). It's odd that she plays the wanton Boleyn sister, and Johansson the more demure one, since there's always been a reticence to Portman, the need not to be mistaken for a naughty girl - as if she doesn't realize that the best parts for women are bad girls. She holds back here too, in a part that demands that the stays be pulled out of the corset...

Author: /time Magazine | Title: The Other Boleyn Girl: When Child Stars Grow Up | 2/29/2008 | See Source »

...Angeles-based alt-rocker named Stew. The other, In the Heights, is a Latin- and hip-hop-flavored love letter to the Hispanic neighborhood of Washington Heights in upper Manhattan. The two shows have little in common except that neither could by any stretch of the imagination be mistaken for Phantom of the Opera...

Author: /time Magazine | Title: Life After Rent | 2/29/2008 | See Source »

...fifth rerun of the events, we have determined that Vantage Point has ambitions no higher than making the audience's collective pulse race as fast as the car Quaid will be maneuvering breathlessly through rush-hour traffic. The movie is best seen as straightforward, sometimes harrowing melodrama, packed with mistaken identities, beautiful villains, a kindly tourist who can outrace the bad guys, and a lost little girl whom the film brazenly sends onto a highway full of speeding cars. It's as if Dakota Fanning had wandered onto the streets of Ronin...

Author: /time Magazine | Title: Vantage Point: Assassination Fun | 2/23/2008 | See Source »

...composed, successfully bringing the high art of opera to the Dunster dining hall.For its 15th anniversary, the DHO returned to “Così fan Tutte,” Wolfgang Amadeus Mozart’s and Lorenzo da Ponte’s 1790 tale of female infidelity and mistaken identity. While the opening Friday evening performance was cancelled at the last minute, leaving me with visions of directorial anguish, half-assembled sets, and missed cues, my fears were misplaced. Producers Lucy S. Mackinnon ’09 and Catherine E. Powell ’08 were forced to move...

Author: By Eric M. Sefton, CRIMSON STAFF WRITER | Title: 'Così fan Tutte' Carried by Cast | 2/20/2008 | See Source »

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