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Their sport yields no meat, no trophies, just pride in one's marksmanship and that freeze-frame moment of annihilation. "Varmint vapor" it's called by hunters. "Montana mist." "Dakota droplets." Apparently unconcerned about p.r. or the tender feelings of nonhunters, varminters have a taste for sick humor and grisly imagery. The 54,000-member V.H.A. sells T shirts that feature cartoons of exploding rodents. Its headquarters in Pierre is lined with snapshots of happy hunters and their diminutive kills. There are images of coyotes, badgers, gophers, and one large close-up of a prairie-dog carcass tumbling through...

Author: /time Magazine | Title: Reducing Varmints to Mist | 8/7/2000 | See Source »

...producers of Harvard Man, distributed by Lion's Gate Films, were squinting up through the gray mist at the faade of Au Bon Pain Wednesday, hoping to create some perfect exteriors for their self-proclaimed teen/crime/thriller...

Author: By Frances G. Tilney, CRIMSON STAFF WRITER | Title: Stars Come to the Square, Again | 8/4/2000 | See Source »

...system" is how Nutty II producer Brian Grazer puts it), wears his hair in a ponytail and absolutely loves apes. He wore his own monkey suits in The Incredible Shrinking Woman and the remakes of King Kong and Mighty Joe Young. He designed the primates in Gorillas in the Mist and Greystoke: The Legend of Tarzan, Lord of the Apes...

Author: /time Magazine | Title: Cinema: Making Faces | 7/31/2000 | See Source »

Baker's convincing apes, in fact, are what distinguish him most in Hollywood's special-makeup-effects field (just try to discern which ones are real and which are Baker-generated in Gorillas in the Mist). He also has a knack for working in comedy, which is rare among his peers and which has served him well in lighter fare, such as Harry and the Hendersons, two Batman movies and his work with Murphy. He has other makeup skills beyond the dreams of Max Factor: old age (The Autobiography of Miss Jane Pittman), space aliens (the first Star Wars...

Author: /time Magazine | Title: Cinema: Making Faces | 7/31/2000 | See Source »

...that," says Fangmeier, "you have the texture of the water and the white stuff, then you have a boat going through it, then you have a wave that breaks and has its own foam." Since the systems governing the individual elements could not be run simultaneously, mist, foam, splash, wake and currents had to be integrated for each shot. To do so, f/x artists manipulated the foam with more tiny white particles, each one with its own marching orders. By the end, The Perfect Storm's 336 detail-intensive f/x shots consumed more computer memory than the nearly...

Author: /time Magazine | Title: Cinema: Unleashing A Storm | 7/3/2000 | See Source »

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