Word: misting
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...birthday party at the math teacher's home. On the ferry, amid the hubbub, Dumisani Dlamini, who plays Crocodile, a high-stepping character in the play, was subdued. A striking figure with a Mohawk hairstyle and tribal scars on his sculptured cheekbones, he gazed off into the mist. "My mother passed in March," he confided softly. "Since then, life has not been the same. I could not go back to South Africa because of the show, there was no one to understudy for me. They sent me a videocassette of her funeral...
...over the northern New Mexico terrain, where hillocks perch like adobe huts. The kiss of two fine brown faces is silhouetted by an orange sunset, flaring into sympathetic melodrama. Night falls, and there's a rope of rainbow in the sky; a frosted moon smiles behind a scrim of mist. It makes for quite a pretty show. Nature has rarely gone to the movies in starker, more glamorous clothes...
...sense of destiny and the Strolling Strings soften the crusts of Gorbachev and his crew of Soviets who mingled below the portrait of Abraham Lincoln? At the end, when Pianist Van Cliburn played Moscow Nights, Strauss thought he saw a bit of mist in the eyes of the Gorbachevs as they sang along. It was surely the most startling music in the East Room since Harry Truman played The Black Hawk Waltz...
...before the U.S. sees a finer group of Turner watercolors than those assembled for the show. They cover all the phases of his work, from early picturesque scenes of ruins such as Tintern Abbey through the grandly managed complexities of his Alpine views with every pebble and wreath of mist in place, like The Passage of the St. Gothard, 1804, to the mists and chromatic blooms of his amazingly modern late watercolors...
...this point it is clear how much, subliminally or not, Giacometti has meant to Rothenberg. This probing for form through a web, a mist of approximate lines, so that the never-quite-final shape becomes a palimpsest of recorded attempts to fix it, echoes Giacometti's own anxiety before his subjects. How can the artist be sure, and make you sure, what is there? For Rothenberg the problem becomes worse, because she chooses subjects in movement, the opposite of Giacometti's hieratic stillness. It does not always come off, but when it does you are made sharply aware...