Word: mistressed
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Dates: during 1970-1979
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...weeks ago, after her family started a free-food program for the Bay Area's needy and aged that the S.L.A. had demanded. Then she stunned her family and friends by announcing that she had renounced them, joined her abductors, and adopted the name Tania, after the German-Argentine mistress of Latin American Revolutionary Che Guevara. Whether through conversion or coercion, she materialized last week in the role of a foul-mouthed bank robber. In the bewilderment shared by all who have followed the case, her anguished father Randolph A. Hearst exclaimed: "It's terrible! Sixty days...
...vision as solipsistic as Hawkes's, admitting no perspective more tangible than the narrator's fantasies, doesn't leave much room for secondary characters. Except for Allert, no one in this book "comes alive," as the handbooks say. The effete, intellectual psychiatrist, the intense, childlike mistress, and the sensuous, motherly wife all remain semi-real cartoons, and yet all expand to become figures of mythic proportion in Allert's private universe...
...tragedy that follows when Jay Gatsby, a mysterious bootlegger, tries to use his money to revive a wartime romance with the rich, spoiled Daisy, who has since married even richer. Their crossed purposes are refracted in the lives of those near them: Daisy's philandering husband Tom, his mistress and her husband. At the end Tom and Daisy retreat into their "vast carelessness"; the others are all dead. The story is secondary to the novel's brilliant crystallization of the pace and mood of the '20s and to what Fitzgerald himself called "blankets of beautiful prose." Deprived...
...came to autobiography-although Latymer bears a resemblance to Somerset Maugham. While Latymer and his German wife-secretary are at a Swiss hotel, an actress whom he loved in his youth and denigrated in his memoirs appears for a sudden reunion. They share caviar and steak. Eventually, the former mistress reveals that she possesses the letters Hugo once wrote to a homosexual lover he had always concealed. The actress accuses Hugo of the sins that Coward may have charged himself with: hypocrisy and a loveless, satirical...
What gives the evening a high polish is the cast. Anne Baxter plays the Italian princess and the former mistress with a likable and knowing broadness. Hume Cronyn's cigar-smoking millionaire sounds a bit too much like George Burns, but his Hugo is a masterpiece of foxy pomposity. Best of all is Jessica Tandy, first as the harridan in Maud and then as the great man's dry, abused wife. She endows the woman with an odd gallantry that Coward himself may have possessed...