Word: mistresses
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Dates: during 1950-1959
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...their faces. The Greeks used makeup and perfume, prized a fine appearance so highly that Athenian magistrates fined sloppy women. In Imperial Rome, women blackened their eyelids, whitened their skins with chalk or white lead, used animal fat and eggs of ants to treat their skin. Ovid scolded his mistress: "Did I not tell you to leave off dyeing your hair? Now you have no hair left...
...pill is so heavily sugared that grownups may find it hard to swallow. Actress de Havilland, who is seldom seen on the screen these days, is still the same fine-looking woman -a condition the studio attributes to "marital happiness and yoga exercises." Unhappily, she is also the same mistress of sentimental overstatement. She never misses a chance to press her heart and roll her eyes, but she could not be bothered to learn the proper way to blow out a kerosene lamp.*As for Actor Ladd, after 17 years and 40 starring roles, he has at last been able...
Rubber-Walled Cell. Later a wealthy woman called "L" became O'Connor's mistress and patroness, bought him erector sets, clockwork trains, motorcars, liquor, and phonograph records ("Tchaikovsky for ... relishing misery . . . Stravinsky for hangovers"). All the while, she "walked by "my side, never-ceasing in her disciple's adoration." But by the time the two of them had spent all "L's" capital, she had reached the stage where she "complained of Indians staring at her" and attacked O'Connor with chopper, razor blades and cutlery. Soon, "L" was tucked away "in a rubber-walled...
Down the steps of St. Vincent's Church in Lisbon walked faded, sixtyish Elena (Magda) Lupescu, longtime mistress and later wife of Rumania's late ex-King Carol, who lies buried in the church's pantheon. A widow since 1953, blonde, green-eyed Magda was Carol's faithful companion in palace and in exile for more than 30 years, now lives quietly at the villa they once shared in nearby Estoril, avidly plays canasta with a small circle of friends...
Prima Donna Maria Callas, past mistress of the grand operatic exit, did it again last week. After her closing performance in Bellini's Il Pirata, she stalked out of Milan's La Scala-for good, she said-and probably out of Italian opera as well. "I leave La Scala with deep pain," she said. "It is no longer compatible with my dignity as a woman and an artist...