Word: mistresses
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Dates: during 1970-1979
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Through the accumulation of such glancing, oblique details (sensitively photographed by Renato Berta), Goretta builds up a pattern of shapely ironies. Pierre impulsively confides in one of his intended victims, a post office clerk named Nelly Wagner, and she ultimately becomes his mistress and accomplice. Yet, credibly and touchingly. Pierre remains devoted to his wife -Nelly is only his partner in crime. When, as they must, the police catch up with Pierre, his baffled, tearful wife remonstrates, "I'm strong too!" In trying to make up for his father's mistake, he has only repeated...
...divorcees are the lovely Cynthia Karslake (Blythe Danner), a sportive Cressida of the drawing room and the racing paddock, and Vida Phillimore (Rosemary Harris), a playful past mistress of the chaise longue. Cynthia has become engaged to the divorced Mr. Phillimore (Stephen Collins), a man as stiff as the judicial bench over which he presides. Vida is on the prowl for the charm-charged divorced Mr. Karslake...
...there is nutsy Bruce Dern at the controls of the blimp. He has rigged it with 100,000 steel darts, which, if detonated at just the right moment, can wipe out everybody in the stadium, down to the last pompon girl. With him is Marthe Keller, his mistress and representative of Black September, the Arab terrorist organization that is financing his attempt to turn homicidal fantasy into reality. Coming on fast is Robert Shaw, Israeli counterterrorist, who must shinny down a rope from a helicopter, attach a skyhook to the blimp and tow it away from the stadium before Dern...
Hugo spent a good deal of his genius in the prone position: he fathered a sizable family, kept an adoring mistress for half a century, and found time for countless other sexual adventures. Yet he had enough spare energy to become the 19th century's grand seigneur of French literature, hammering out poems, plays, novels and essays as other men might manufacture horseshoes...
...wood is Pierre's real mistress, that thing for which he has challenged the law. Wood that lives and breathes, that squeaks and cracks in the beams of his house, that must be sacrificially burnt in the shape of old furniture that will not sell. Wood stands as a monument in the countryside, whether in the form of a massive tree or in tiny specks of black charcoal. Pierre loves it, is fascinated by the intricacies of its design, the grain that is smooth to the touch, in a way that he never has been by a woman's body...