Word: mistresses
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...after her family started a free-food program for the Bay Area's needy and aged that the S.L.A. had demanded. Then she stunned her family and friends by announcing that she had renounced them, joined her abductors, and adopted the name Tania after the German-Argentine mistress of Latin American Revolutionary Che Guevara. Whether through conversion or coercion, she materialized last week in the role of a foul-mouthed bank robber. In the bewilderment shared by all who have followed the case, her anguished father Randolph A. Hearst exclaimed: "It's terrible! Sixty days...
...architecture into the building of Taliesin as a new home for them both. Changes of this kind are ill-fated by ancient superstition, but few have met such a fate as Frank Lloyd Wright's. In 1913, a Barbados Negro servant had run amok at Taliesin, murdered its mistress, her two children, an apprentice and three others, burned the living quarters to the ground. Wright buried his mistress alone, and lived there alone for months. Then he began to rebuild Taliesin...
...ritualistic male-dominated Indian culture, Olivia falls victim to her own emotions, unable to sit at home waiting for her husband Douglas to return at night. Olivia's passions overpower her highly disciplined self-control, and she consequently dissipates after leaving her husband, living first as the prince's mistress and eventually alone...
...reader knows nothing of her that would make these statements more characteristic of her than anyone else. Michener tells the reader that she plays Chopin mazurkas "as if she must make an important statement for all Poles living in exile..." and that she has been Wiktor's mistress for two nights, but he has shown us nothing that would prove the basis of such political fervor or such a character. So little space is devoted to each historical episode that nothing "extraneous" to the main point seeps in. Any triviality which might make a character human might obscure the character...
...things on Franz: his cast-off women. Soon the one-armed man is a secondhand stud for a series of gross, silly and pathetic trollops. There are three exceptions: Lina (Elisabeth Trissenaar), gorgeous and sassy, whom Franz meets soon after his release from prison; Eva (Hanna Schygulla), a former mistress who is now an expensive call girl; and Mieze (Barbara Sukowa), a simple, gentle girl of small shrugs and a guileless smile. By the end, with Reinhold's malefic help, she and Franz will have become the secret agents of their own destruction...