Word: mistressful
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...ones." This time Woody Allen generously obliged, in part by junking some of the analysand mannerisms that infected him and his female co-stars over the past few pictures. Danny is the least "Woody Allen" of Allen's screen incarnations. As Tina, Lou's nails-tough mistress with a heart of rhinestone. Mia Farrow is a coarse delight; this is her best work since Rosemary's Baby. Bright as the spangled jacket of a has-been crooner, funny as any Broadway comic could dream of being, appetizing as a pastrami-on-wry sandwich at the Carnegie Deli...
...quiet, self-effacing wife Adrienne. As relatives were falling to the guillotine all around her and the family's assets were confiscated, she responded with Fayettesque valor. Briefly imprisoned, Adrienne found food and housing for her family, began caring for destitute friends-including her husband's mistress-and waged a vigorous letter-writing campaign to win his freedom...
...Frank Lopez (Robert Loggia), a car and drug dealer. In the class structure of Sunbelt crime, Frank is the middle-class middle man, tangling fatally with both the coke aristocracy of Bolivia and Tony, his proletarian successor. He has two things Tony wants: power and a bored blond mistress (Michelle Pfeiffer), with a Kew-pie-doll mouth soured into a who-cares sneer and the bad habit of powdering her nose from the inside. Tony also develops a paternal letch for his teen-age sister (Mary Elizabeth Mastrantonio). The combination of greed and blood lust is too much for this...
...college in 1718. Never mind the differences in the patron saints--Harvard was a stern religious man while Yale, the governor of Madras, used his official position to reap a fortune in the diamond trade and sent his wife off to England alone while he lived with a Portuguese mistress...
...last week on Broadway, he is portraying a man who helped define the image of the charming, demon-driven actor. The stage is suffused with a gloomy glow-the dressing room for a command performance in hell, crowded with the ghosts of Kean's past. His wife, his mistress, his dead son and his surviving one, the theater managers who wronged him and the leading men he saw as his incompetent rivals, all are evoked by Kingsley in brisk, meticulous sketches. Too brisk, perhaps: melodramatic incidents rumble past like a fleet of driverless stagecoaches. And interspersed are snatches...