Word: mistressful
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Françoise Gilot, 59, painter who was once Pablo Picasso's mistress, on the difference between Picasso and Henri Matisse: "Matisse was as great as his art. That was not the case with Picasso. If you had to be around him much, you suffered...
Given the peculiarity of portraying neurotic tools, the three lead actors deliver uniformly fine performances. As Jean, the social-climbing, "wandering intellectual", Roger-Pierre--a paunchy, fifty-ish Charlie Chaplin, sans mustache--is the perfect ambitious bureaucrat: a tyrant with his wife, children, and mistress but a wimpy, play-by-the-rules kiss-ass in the office. Nicole Garcia's Janine represents that curious person you know well but who is either brilliant and wily or a complete and utter moron--and you can't decide which it is. Gerard Depardieu, oddly enough, looks more like Cro-Magnon...
...named Mirek tries to retrieve and destroy the love letters he sent a mistress of his youth. He wants to obliterate the fact that he ever loved such an ugly woman. He is, in fact, unconsciously aping the Czech rulers who are persecuting him; he feels "an uncontrollable urge, an urge to reach far back into the past and smash it with his fist, an urge to slash the canvas of his youth to shreds...
...announced that Mary Crosby, who plays Kristin, would appear only in the first five episodes. "My part was up," she gallantly deadpanned early last week. "They need new people." In fact, Kristin was always the ideal perpetrator. As Sue Ellen's sweet sister and J.R.'s conniving mistress, she was in the family but not of it; her purging from Dallas would set off enough shock waves to surprise the unwary viewer without destroying the basic family unit. Moreover, Kristin had both motives and nerve for the deed...
...Morning Walk, is one of these: two peach-skinned 21-year-olds, dressed to the nines in their formal finery of velvet, taffeta, filmy silk and crisp ribbons, adored by the animal kingdom in the shape of a fluffy white dog (whose exuberant coat mimicks the finesse of his mistress's clothes), strolling in their idealized park. Its rhymes between nature and culture-particularly in the similarity between Gainsborough's handling of the wife's gauzes and of the foliage of the background trees -suggest an unforced series of transitions from the human to the vegetable realms...