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Word: mistressful (lookup in dictionary) (lookup stats)
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...know that, if we but wait long enough, he will write another book in which he will ardently defend exactly the opposite point of view. It is a measure of the man's incredible philosophical wishy-washiness that one of his novels, The Moon Is A Harsh Mistress, is one of the guiding tracts of the YAF, while Stranger In A Strange Land (his greatest, I might add) has helped inspire thousands of acid-freaks, beginning with Ken Kesey...

Author: By Garrett. Epps, | Title: Sci-Fi Bobby, Bobby Heinlein, How Could You Treat Us So? | 10/3/1970 | See Source »

Bunuel's Tristana, which stars Catherine Dencuve, closed the Festival. The story is reminiscent of Viridinana: a beautiful young girl dressed in black enters the home of her guardian (Fernando Rey, who also played the uncle in Viridiana ); she becomes his mistress, then his wife; she destroys him. Loss of innocence is a favorite Bunuel theme, and Deneuve's progression from blond virgin to black widow is a passionate, nearly religious journey. What most marks the film is the blend of heresy and humanism for which Bunuel is distinguished...

Author: By Martin H. Kaplan, | Title: The New York Film Festival Twelve Nights in a Dark Room: You Can't Always Get What You Want | 9/29/1970 | See Source »

...Fernando Key). Lope is an aristocrat, an atheist and a hypocrite-three distinct personalities that Rey manages to portray simultaneously. As his money and his vigor recede, Don Lope pursues the bewildered girl and overtakes her. Once seduced, Tristana is a figure of metastasizing vengeance. When she becomes the mistress of a young artist (Franco Nero), Don Lope shouts in misery, "I prefer tragedy to ridicule . . ." The girl awards him both. Her flight with the artist is ended by a disease that costs her a leg. Convalescing in the house of her for mer guardian, Tristana hears Lope, stricken with...

Author: /time Magazine | Title: Cinema: Garlic and Sapphires | 9/28/1970 | See Source »

...Femme Infidele) likes to give commonplaces a classic aspect. Is coincidence a cliche? Very well, then, the father, Charles Thenier (Michel Duchaussoy), learns the identity of the hit-and-run murderer by a convenient accident. Are villains too often betes noiresl The driver is a child-beating, wife-torturing, mistress-abusing salaud. Does the pursuer fall in love with his quarry-as Belmondo did with Deneuve in Mississippi Mermaid! The villain's mistress (Caroline Cellier) is a lodestar of beauty and melancholia. Naturally, Charles is smitten...

Author: /time Magazine | Title: Cinema: Salaud Days | 9/7/1970 | See Source »

Desert Dance. As scientists, they are propelled into a euphoria of creativity. As men, they are overwhelmed. Harold's wife has left quickly to be replaced by Maryann, a sweet, yielding office worker who becomes the mistress-mother that father and son need. She is the link to humanity and joy, a sprite who dances solo on the desert floor in tights and shucks her M.I.T. sweatshirt for sunbathing in mixed company...

Author: /time Magazine | Title: Books: Before the Fall | 8/24/1970 | See Source »

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