Word: mistressing
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...primarily a representational art. Then Godard and his fellow iconoclasts suspended disbelief like a taut high wire across which his characters danced and ambled, and sometimes fell off. There are "people" in Every Man, including a TV producer named Paul Godard (Jacques Dutronc), his co-worker and ex-mistress Denise (Nathalie Baye), and her friend Isabelle (Isabelle Huppert), who works as a prostitute and has a short session with Paul. But they are not "real people." They are figures in the desolate landscape of Godard's mind. They have materialized to illustrate his deepest, bleakest conception...
Exactly 100 years ago, Sarah Bernhardt, legendary mistress of melodrama, arrived in America demanding to see the Indians. "She was very disappointed, but she fell in love with the country," says Actress Lilli Palmer, who is preparing to return to Broadway this winter, for the first time in a quarter-century, in the title role of Ruth Wolf's Sarah in America. "I hadn't opened a script for 26 years," says Palmer, now a successful novelist (The Red Raven), living in Switzerland. "I wanted a clean break after my divorce [from Actor Rex Harrison], and I thought...
When Craccio, the old man, goes out of town, Cristina, an attractive housemaid, brings two men to entertain her and her pretty mistress. The men, the town barber and apothecary, are comic oafs, and both women are relieved to hear another male voice from offstage. Enter the student from Salamanca, who has been beset by robbers and is looking for food and lodging-among other things. The husband unexpectedly returns, and the plot goes on its merry way to a happy ending...
...himself in a creative culdesac. The film mixes memory and fantasy with the surreal-life present. Its visual style is a gloss on 8½'s: seductive black-and-white images, express-train pacing, a foregrounding of comic bit players. The three main women in 8½ (a mistress, a wife, an earthy guardian angel) find their echoes here in Charlotte Rampling, Marie-Christine Barrault and Jessica Harper. Allen also appropriates Fellini's strategy of deflecting criticism by placing it in his film-in the mouths of buffoons. Predators and editors, gargoyles and groupies, all want a piece...
...appeal of Morrison and the Doors is rooted both in a high school home-room taste for excessive behavior (one episode details how Morrison and a mistress frolicked in her blood, extracted with a dull razor and caught in a champagne glass) and in the insatiable adolescent craving for getting the older folks steamed. There is no steam in George Harrison's / Me Mine; most of the excess is in the price. Available by subscription, the book is hand-bound in fine leather, its pages gilded like some special presentation edition of the King James. It sells...