Word: mistressing
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...film's title is Fellini's wife, Giulietta Masina, exercising all of her rueful, clownish charm as a bourgeoise matron with marriage problems. Neither beautiful nor clever, and inhibited by an unshakable Catholic conscience, Giulietta is wounded by the discovery that her husband (Mario Pisu) has a mistress. She consults a seer, seeks refuge in spiritualism, tries to distract herself by befriending an elegant trollop (Sandra Milo) next door. Meanwhile, she begins to live more and more in fantasy - images of abstract evil, dreams of sexual abandon, phantoms of childhood fears. Not until she at last loses...
...side pocket undoubtedly offers more range. Kid also has a less compelling subplot. Away from the table, McQueen gambles on a blonde (Tuesday Weld) and on the integrity of his dealer pal, Karl Maiden. Pressure comes from a conventionally vicious Southern gentleman (Rip Torn), whose pleasures include a Negro mistress, a pistol range adjacent to his parlor, and fixed card games. As Maiden's wife, Ann-Margret spells trouble of another kind, though her naive impersonation of a wicked, wicked woman recalls the era when the femme fatale wore breastplates lashed together with spider web. By the time...
...other actors had less crucial parts, so they weren't as disappointing. I do wish Miss Krause, whose Paola was the mistress of so many scenes, had let us see some fire or some terror. The way she took command it was hardly a duel...
...mother fled the Russian Revolution only to leave him an orphan in Poland when he was eight Family friends sent him through Jesuit schools m Belgium, where he began to study art. After wartime service with the Foreign Legion in Tunisia, the demobilized artist returned to Paris with a mistress, Jeannine Guilloux. Often he painted her skeletal beauty. "I wondered what it was I had painted," he mused, a living dead creature or a dead living creature...
...commentator for a late-model cad (Laurence Harvey) from the advertising world, wins modest renown as "the Happiness Girl," promoting "chocolates with fairy-tale centers." Her own fairy tale ends, many escapades later, when she finds ruin at the top as the wife of a wealthy Italian nobleman. Mistress of a sprawling palazzo, she endures boredom, fame, and neglect-despising the suffocating luxury of a milieu that has nurtured and, at last, enslaved...