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...France Flight 001 sliced through the morning mist. The approach and landing were loud enough to drown out the protests of 15 pickets forlornly shouting "Stop the SST!" by an expressway ramp outside the terminal, but the noise level was a comfortable 14 decibels below the limit set by the Federal Aviation Administration. Moments earlier a Boeing 707 had registered slightly louder on a routine approach. Two minutes and five seconds after Flight 001 landed, British Airways Flight 171 touched down. The two Concordes then taxied to the terminal in a kind of victory parade, celebrating the inauguration of supersonic...

Author: /time Magazine | Title: The Nation: Smooth Landing For the Birds | 12/5/1977 | See Source »

Army's Curt Alitz careened across the tape in first place with a time of 24:37, which was 15 seconds slower than his winning time last year, as a dank mist enshrouding the Bronx slowed down the field. Dean Stevens of Dartmouth traversed the circuit in 25:02 to come in the runner-up while Princeton's Bruce Barnes and Jerry Kooymans finished third and fourth...

Author: By Robert Sidorsky, | Title: Harriers Fizzle in Heptagonals | 11/5/1977 | See Source »

...flag. No period in his later work would equal this one for vitality and daring. A work like White Flag, 1955, has lost the aura of scandal that clung to it when it was first seen. Instead it has moved into the company of, say, Pollock's Lavender Mist as one of the classics of American modernism: a work of such authority, intelligence and opulent technical skill that one can hardly believe its pale, dense encaustic skin was made by a 25-year...

Author: /time Magazine | Title: Art: Pictures at an Inhibition | 10/31/1977 | See Source »

...that is an alarming thought. But the fact is that show business and politics are fused by electronics as never before. The men of power now play desperately for the gratification of the moment, toying with mood and emotion, giving us performances that all but instantly turn to mist as events roll...

Author: /time Magazine | Title: THE PRESIDENCY by HUGH SIDEY: Confusing Show Biz with Substance | 10/17/1977 | See Source »

...historical themes, 1900 's strongest motifs are visual. Bertolucci organizes the film around the seasons of the year and provides a voluptuous emotional texture wrought from pastoral sun light, blood, mist and excrement. Though much of 1900 has the majesty of Renaissance art, many of its images are erotic or terrifying. In one typically disturbing scene, the director reveals his views on sexual exploitation by sending his two leads to bed with a lovely village laundress who proves to be epileptic. Later, when the Blackshirts come to power, the movie's principal villains (Donald Sutherland and Laura Betti...

Author: /time Magazine | Title: Cinema: An Epic Century | 10/17/1977 | See Source »

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