Word: misunderstands
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Dates: during 1980-1989
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However, Schlondorff fails to give a similar sense of irony to a Beckettian sequence with an eel fisherman on a stark beach. While Oskar keeps a cold, dark view on life, the film changes tone: now it is bleak and blue, now it is warm and red. Does Schlondorff misunderstand his little hero or has he simply made only token efforts at linking each sequence to the whole? He manages to reduce the most profound chapter of Grass' novel, a discussion about art and life between a midget magician and a soliderly artist to a frolicking picnic atop a cement...