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Archie C. Epps III, dean of students, who oversees HDNS refused to comment on the the case yesterday. Mitchel W. Smith '81, manager of the service, could not be reached...

Author: NO WRITER ATTRIBUTED | Title: HDNS Settles Lawsuit Out of Court | 3/21/1980 | See Source »

Currier House Fishbowl is the setting fog the Currier Concerto Concert on Sunday, May 7. Pianist Richard Kogan, soprano' Tamara Mitchel, and violinist Stephen Chan join in a recital of Grieg, Wagner and Bach, conducted by Louis Karchin, at 8:30 pm. These are all experienced and refined performers, so it's worth the $1 payable at the door. Rounding out the week in a big and noisy way, the traditional Open Reading of the 1812 Overture by Tchaikowsky takes place also on Sunday with rehearsal at 1:30 and a performance at 3 pm. All musicians--bring your...

Author: By Richard Kreindler, | Title: Bows But No Scrapes As the Bach Soc. Bows Out | 5/4/1978 | See Source »

...blue-collar?and indigent no-collar?multitudes of Brooklyn and The Bronx are not Times readers (a defense the paper does not offer in covering other parts of the world). But Times people also claim that local coverage has improved since Sydney Schanberg became metropolitan editor in May, replacing Mitchel Levitas, who was moved sideways to edit the Sunday Week in Review section. Schanberg straightaway told his 100 or so metropolitan reporters that he wanted everybody "to have fun." Productivity has increased among reporters who were previously alienated, bored or overlooked; Times local coverage is growing more aggressive. The paper...

Author: /time Magazine | Title: The Kingdom And the Cabbage | 8/15/1977 | See Source »

...Mike Mitchel Frostburg...

Author: /time Magazine | Title: Forum, Nov. 8, 1976 | 11/8/1976 | See Source »

...absence is the concerto--a musical genre which demands both quantity and quality of players. Moshell has scheduled a concert of all-meat and no-down concerti for his swan song. Offering several Brahms lieder as an hors d'oeuvre, Moshell at the piano will accompany soprano Tamara Mitchel '78 who might justifiably view these as warm-up exercises; she will then dive into Wagner's incredibly challenging Prelude and Liebestod from the opera Tristan and Isolde...

Author: By Judy Kogan, | Title: Music | 5/6/1976 | See Source »

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