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In the ninth minute, a long cross from sophomore defender Baba Omosegbon found senior midfielder Desmond Mitchell at the back post.
While Mitchell’s translations are looser and more creatively liberal, Snow’s have an interest in direct syntactical facsimile; with a more direct approach to the formulation of Rilke’s images. In “Going Blind,” a poem from ?...
This attitude perhaps provides us with a clearer image of what Rilke is doing intellectually; however this often obscures the emotional force of Rilke’s poems. In the third poem of Rilke’s sonnet sequence, “Sonnets to Orpheus,” he addresses...
Ultimately, the Snow translation is no Mitchell. Mitchell provided us with a Rilke that far surpassed anything that came before it. Snow, although inferior to Mitchell, has nevertheless crafted a body of translations that, had Mitchell not already done so, would have easily become “the?...
In judging various translations, we as readers are put in unique positions of judging, and experiencing, different versions of the same poem. All poets offer truths that are pressing and immediate, and yet often our immediate understanding of poetry happens only when the poem’s aesthetic affects us...