Word: mite
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...this seemed a mite histrionic to TIME'S Senior Writer Ed Magnuson, who wrote the story in New York. Magnuson has bought half a dozen houses in eight years, all of them among the granite and evergreen hills of New Hampshire. Each time, his wife Mae and a skilled craftsman have fixed up the homestead, to see it sold at a profit. Currently, the Magnusons reside in the town of New London, N.H., in a four-bedroom house for which they paid $59,000 last autumn. The taxes are under $800. Muses Magnuson: "Considering that New Hampshire...
...church of ostentation. Would you like to live next door to The Jeffersons? Or consider the character J.J. on TV's Good Times: a bug-eyed young comic of the ghetto with spasms of supercool blowing through his nervous system, a kind of ElectraGlide strut. "Dy-no-mite!" goes J.J., to convulse the audience in the way that something like "Feets, do your stuff!" got to them three decades ago. Then there is the character Ray Ellis in Baby, I'm Back: a feckless black creep who deserted his wife and two children seven years ago, one step...
...curtain was interesting, but the screen itself is too flimsy. Its paint job has not so much saucy style as the flapper it pictures, winking boldly at the audience. The garden of the millionaress, Jo Vanderwater, where most of the action takes place in Act One, is also a mite tacky for the palatial estate it is supposed to be. Moreover, the lighting is so dim that it is no wonder the chorus looks lost. Even the costumes (designed by Susie Kendall), which seem appropriately authentic for the time period, are not well coordinated and lack an attention-drawing sheen...
Eric Carle's bright, elemental The Grouchy Ladybug (Crowell; $6.95) is about a mite spoiling for a fight. But every opponent has a stinger, a scent or a size that is superior. Carle has designed the book to fit the tale: as the heroine meets larger animals, the pages grow in size. None of the confrontations manage to sweeten the insect's disposition. That transformation is accomplished by powers that neither ladybug nor reader can resist: hunger and exhaustion...
Stokowski had little more success in his co-conductorships. His tenure with the NBC Symphony ended after two years because the joint director, Arturo Toscanini, felt that Stokowski's musical ideas were too divergent from his own to make a joint directorship possible. Toscanini, the purist, had only a mite of sympathy for Stokowski's revolutionary ideas about adjusting acoustics and reseating orchestras. The problems were almost exactly duplicated and Stokowski ousted exactly seven years later, when he was hired to co-direct the New York Philharmonic with Dmitri Mitropoulos. The flamboyant Stokowski, whose glamorous life was already shrouded...