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...finally opened to the public on June 1, it will take its place among the great museum buildings of the past hundred years. It is not an innovative or deliberately spectacular structure, as the still debated Centre Beaubourg in Paris turned out to be. Down to the last miter in its warm Tennessee marble cladding, the East Building is intended to be an authoritative, if not exactly authoritarian, statement: balanced, lucid, reflecting the inherently conservative nature of the National Gallery's self-image. The East Building and its concourse (which together cover 604,000 sq. ft.) will be somewhat...

Author: /time Magazine | Title: Art: The Nation's Grand New Showcase | 5/8/1978 | See Source »

Inside the tiny church, parishioners crowded close to get a better view of the visitor, dressed splendidly in a braided gold miter and brocade cope. As they watched, the prelate moved in front of a large table, pronouncing the words of blessing with a Maurice Chevalier accent and making the sign of the Cross over hammers and screwdrivers, a violin, a teacher's notebook, a housewife's wooden spoon, an artist's brushes...

Author: /time Magazine | Title: Religion: Man from the Vatican | 9/15/1975 | See Source »

...capital, had delayed the ceremony until they were satisfied that all the signs were in order, but the investiture, once begun, proceeded with flawless splendor. As the King approached the courtyard of the Tashichhodzong, the fortress and monastery that serves as the seat of government, lamas wearing miter-shaped red silk hats and red woolen robes walked in procession ahead of him, and barefoot male dancers in wide silk skirts described intricate patterns in the courtyard. Forty more monks stood on the roof of the building and blared out a discordant fanfare on 10-ft.-long copper horns. Thousands...

Author: /time Magazine | Title: BHUTAN: The King of Shangri-La | 6/17/1974 | See Source »

...from the Passion of Christ and the life of the Virgin, achieving a peak of dramatic intensity hitherto unrealized in North German painting. In The Martyrdom of St. Thomas, the kneeling archbishop half turns toward his attackers. Blood streams down his forehead and splashes onto his white cassock; his miter rolls away across the tile floor. The decorative flatness of Thomas' cope and the star-spangled, scarlet sky are in striking contrast to the bold modeling of his face...

Author: /time Magazine | Title: Painting: Germany's First Master | 11/14/1969 | See Source »

...modern theology. Deciding that he could not adequately do both, the yeasty and iconoclastic prelate last week announced that he will resign his see and become a member of the resident staff of Robert Hutchins' Center for the Study of Democratic Institutions in Santa Barbara. MIND OVER MITER, headlined the New York Daily News...

Author: /time Magazine | Title: Episcopalians: The Worker-Bishop | 5/20/1966 | See Source »

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