Word: mitnick
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...Wozniak and Steve Jobs, who would go on to found Apple Computer.) One infamous phreak, John Draper, became known as Captain Crunch after discovering in 1972 that he could fool AT&T's network with the tone from a plastic whistle distributed with the breakfast cereal. Computer hacker Kevin Mitnick became a top target for the FBI for breaking into academic and corporate computer systems and causing millions of dollars in damage; after years eluding capture, he spent half a decade behind bars in the 1990s and was ordered to stay away from computers for three additional years. The "Melissa...
...he’s had great experiences at just about every Harvard theater venue. He points to set designing and light ‘opping’ at the Currier fishbowl for a play called “Peanut Butter and Juliet,” written by Michael Mitnick ’06, as one of his best experiences. But he doesn’t really have any single favorite production or memory from all the time he’s spent doing theater work. “When I sat down at the Louise Donovan awards I couldn?...
...even foreign diplomats; once in, they trick employees into allowing them access to sensitive data. A one-off engagement costs anywhere from $5,000 to $25,000. There are dozens of outfits around the country engaged in some form of social-engineering work, from Atlanta-based Vigilar to Mitnick Security Consulting (principal Kevin Mitnick is an ex-hacker and author of The Art of Deception: Controlling the Human Element of Security). Many, however, offer testing only over the telephone...
...production’s playbills, but Swieskowski wasn’t taking any chances.And for good reason: the show’s script—co-written by Swieskowski, Samuel M. Johnson ’06, co-producer Farley T. Katz ’06, Michael C. Mitnick ’06, and Andrei Nechita ’06—was peppered with ear-withering foul language, gratuitous strip teases, glib drug abuse, cringe-inducing 9-11 gags, and blasphemous musical interludes. Fun for the whole family? Hell no. But, depending on how easily you’re offended...
...Musicals don’t necessarily need to be serious,” says Michael C. Mitnick ’06. “But they need to be taken seriously by the audience and by the creative staff behind them if they are to connect with a modern audience.” Mitnick, the recipient of the Office of the Arts’ (OFA) Doris Cohen Levi Prize for the “best combination of talent and energy with an outstanding enthusiasm for musical theater” is already hard at work stirring up the world of musical...