Word: mitternacht
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...tenth with suppressed intensity, then faded out as a typically Mahlerian falling cello line, blending with the oboe high above, came to rest in a hushed cadence. Blicke mir nicht in die Lieder! was most consistently well performed here with precision and urgency; on the other hand, Um Mitternacht did not find even Miss Forrester compellingly moving until its dramatic ending. In any case, the results well justified their ambitiousness. Hats off to the HRO for their attempt...
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