Word: mitya
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Dates: during 1940-1949
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Mother Sonya. Son of an easygoing, Siberian-born government official, "Mitya" Shostakovich might have spent his days playing the piano in a movie house if it had not been for the iron will of his mother, Sonya...
Sonya, the daughter of a middle-class Siberian gold-mine manager, possessed a bourgeois ambition that even the terrors of the October Revolution could not dampen. Harassed by almost incredible poverty after her husband's death (when Mitya was 16), she brought up her brood of three children with the tenacity of a she-wolf, worked her gnarled fingers to the bone to give them an unusual education despite collectivist hell & high water...
...nothing ever comes of it. Either the Neva is frozen, or I meet somebody I know on the way and so am forced to put it off." Problem in Selection. Sonya Shostakovich's maternal solicitude for Mitya, who was a frail youth afflicted with tuber ulosis, bordered on mania. "Suppose the ceiling of our house fell in," she would brood. "Whom should one save? Of course Mitya-for this would be the duty of everyone to society-for the sake of art." Sonya even insisted on dragging her friends and relatives into her all-absorbing responsibilities. "If both Mitya...
...year eleven in the life of a pale, slight, impressionable little bourgeois boy who clung to a servant's hand in the battle-littered streets of Petrograd. Said the servant: "This is the revolution, Mitya." Young Dmitri Dmitrievich Shostakovich only stared and clutched the servant's apron. But what he saw and heard he pondered in his precocious head. Once safe at home, he sat down and composed two pieces: Hymn to Liberty and Funeral March to the Victims of the Revolution. A prodigy and a prodigious event...