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Word: mix (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

When Harvard and Boston University tangle in football, nobody cares, and when they mix it up in basketball--or just about anything else--nobody comes...

Author: NO WRITER ATTRIBUTED | Title: It's That Time of Year Again: Harvard, B.U. Battle in Watson | 12/8/1976 | See Source »

...Sullivan canon. The show has very little dialogue; there's nothing here, for instance, to rival the verbal pyrotechnics between the two peers in Iolanthe or the pompous flatulence of Poo-Bah in The Mikado. Pirates' fame derives rather from its score, which is a typical G&S mix of rousing chorus numbers, patter songs and take-offs on Italian grand opera...

Author: By Julia M. Klein, | Title: The Very Model of an Operetta | 12/7/1976 | See Source »

...pleasant enough to report that the production of The Pirates of Penzance now at the Agassiz is nothing short of triumphant. It is no paradox that the Gilbert and Sullivan Players present the very best in Harvard theater with admirable consistency: they draw consistently on the same, very talented mix of regulars to play analagous parts in show after show...

Author: By Julia M. Klein, | Title: The Very Model of an Operetta | 12/7/1976 | See Source »

Making Merry. With vodka having overtaken bourbon as the nation's best-selling liquor, the U.S. distributors of the famed Angostura bitters have marketed their first new product in 150 years: the Angostura Bloody Merry-Maker. Unlike the other Bloody Mary mixes that have long been available, Angostura's version is all additives, leaving the bartender to provide his own tomato juice and vodka. The idea behind the bottled blend of Worcestershire sauce, natural lemon flavor, bitters and spices is to let drinkers mix their Bloody Marys to taste. Each eight-fluid-ounce bottle ($1.60) can be used...

Author: /time Magazine | Title: Modern Living: Odds & Trends | 11/29/1976 | See Source »

...expanded greatly by now. It contained artists who wanted to work collectively, but there were also dozens of people who simply wanted a piece of Rauschenberg, from saber-toothed politicians' wives and Park Avenue art groupies to eager, ineffectual students. It was not as freaky or snobbish a mix as the circus that Andy Warhol accumulated, but it had its distractions. "Dozens of people ripped Bob off for money and time," a friend from the '60s recalls, "and he knew it, but he never said a word against them...

Author: /time Magazine | Title: The Most Living Artist | 11/29/1976 | See Source »

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