Word: mix
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Dates: during 1990-1999
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...Christmas. I took her hip-hop leanings as a decisive divergence from my way of life. Ever-proactive in the department of my sister's cultural development, I was instantly on the job, and on Christmas morning she unwrapped a new Janet Jackson CD and a new 90-minute mix tape from me, titled "Girls with Guitars." Within a few months, the mix tape had triumphed, and she was passing feminist folk music along to her friends--kind of scary...
...word: cool. Stereolab is too cool for you. Last Sunday, everyone's favorite Boston booty palace, the Roxy, was the unlikely host to the London-based experimental rock/electropop band best known for what they have titled "ambient boogie." Their music is a heady mix of everything from Muzak to French femme-pop, from acid jazz to industrial German kraut-rock, tied up into neat little alt-rock packages with the silky ribbons of Mary Hansen's lead vocals...
...jackboot to the stomach. The creator of Stereolab's cold-hearted sound storm appeared in hardcore military-chic: high collar, olive-drab frock, tight mug. But somehow, when she and Hansen stepped up to their microphones, it was all okay: Sadier's harshness and Hansen's softness mixed together as well as Stereolab's other songwriter (and founder) Ti Gane can mix Muzak and German post-punk, the listless vocals carried along like a beauty queen in a homecoming parade of sound clips, acid jazz and dippy...
...short, Stereolab live was very different than Stereolab in the stereo lab. The band's sound is characteristically everywhere: their records run th aural gamut from fuzzy lounge-lizard pop to gritty reverb rock (and most often are a synth-washed mix of both). Through it all, though, they manage to give you the cold shoulder. Morgane Lhote's Moog must have a special dial for "disaffected": a breath of chilling ennui blows through all their music, a vague sense of world-weary aloofness that has its heart somewhere in songwriter Sadier's low-mixed lyrics...
...Part of this believability comes from the strength of the acting. Tobey Maguire plays Homer perfectly. He bings an ideal mix of innocence and naivete to the role, but he also imparts a mature intelligence gained during his days in the orphanage. Homer might be innocent, but he certainly can't be labeled stupid. When dealing with expectant mothers, he learns to read between the lines and sense what's really going on behind the expressions on people's faces...