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...either. Marriage is a divine institution, wrote the Virginian judge that originally gave the Lovings their sentence, and God “placed [separate races] on separate continents,” in order to demonstrate that He did “not intend for [them] to mix.” In Naim v. Naim (1955), the Virginia Supreme Court similarly argued that there is a clear “natural law” which renders interracial marriage a “corruption,” since God had clearly rendered different races with “different natures...

Author: By Avishai D. Don | Title: Indecent Proposal | 2/10/2010 | See Source »

...other side of the park, under the gazebo, David Phillips’ “Beach Fragments” go almost unnoticed. The bronze medallions contain a mix of imagery drawn from marine biology, astronomy, particle physics, and even music, featuring a line from Debussy’s “La Mer.” But it is the nearby “Never Green Tree” which rightfully ends up stealing the spotlight. Former Graduate School of Design professor William Wainwright’s “Never Green Tree” is a unique and innovative...

Author: By Alexandra perloff-giles, CRIMSON STAFF WRITER | Title: Hey There, East Cambridge, So Nice to Finally Meet You | 2/9/2010 | See Source »

...film centers on a couple, Parker and Dan, and Dan’s long-time best friend Joe, as the three go skiing for a weekend. They try to squeeze in one last run at the end of the day, but a mix up leaves them stranded on a ski lift.  The trio soon realize they are trapped, as no one will return to the mountain for days. They are too high to safely jump and it’s too dangerous for them to climb across the lift cable, leaving them in a seemingly hopeless predicament...

Author: By Edward F. Coleman, CRIMSON STAFF WRITER | Title: Frozen | 2/9/2010 | See Source »

...movie is a mix of action, comedy, policier, and of course, romance. Many movies try to cross genre boundaries to reach a larger audience, and Morel is no exception. But his approach is confused, and given the seriousness of one thematic element it tries to weave in—that of terrorism and suicide bombings—that confusion proves detrimental to the film as a whole...

Author: By Rebecca A. Schuetz, CRIMSON STAFF WRITER | Title: From Paris With Love | 2/9/2010 | See Source »

...this LP as elsewhere, Massive Attack’s music can tend towards the formulaic. Take a catchy beat, drench it in spare, sinister loops, mix in some guest vocals and voilá—the songs on “Heligoland” rarely deviate from the template. As a result, it’s sometimes easy for the tracks to fall into a lull or feel stagnant. “Girl I Love You” and “Flat of the Blade,” though solid tracks overall, are prime examples of this kind...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: Massive Attack | 2/9/2010 | See Source »

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