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...seen her tortuous Woodstock show, he would have casted her as the Dark Lord Satan herself. If I were God, I would have kicked her off my Heavenly Choir whether she had rebelled against me or not. As for the rest of the orchestral soundtrack that sounds like a mix of "Barney and Friends" and Excalibur, who gives a damn? Alanis: F The rest...
...Singer Gene seemed to be having an equally good time. When the rest of the band stepped off stage "to take a leak," leaving him to play a lighter-waving ballad, he barely managed to keep a straight face through the second verse. Though the band's musical mix of grungy alt-rock and bouncy hoe-down country would have made for a decent concert by itself, it was their presence and stage antics that made it a truly great, entertaining show. Though the brothers Ween may be known for their adolescent humor and cheap laughs vulgarity, their on-stage...
...exclusivity and prestige matched only by the posh ambiance of the clothing boutiques below them. All along Newbury Street, a short walk through an easy-to-miss door and then up a few flights can prove rewarding for both the collector and the curious student. An eclectic and intriguing mix of contemporary painting, drawing and photography are hung on the immaculate white walls of such renowned galleries as Barbara Krakow and Howard Yezerski--and despite a slight emphasis on representational painting, almost all claim to showcase works of a variety of styles, media and regional origin...
...Unnikrishnan '02, and Nathaniel A. Whitman '02). Supper conversation reveals that the apostles in this production are basically a bunch of potheads who spend their time hanging out and partying. (If you think this meal is bad, the Last Supper you'll see on the Mainstage is supposedly a mix between a backyard barbecue and a raging kegger.) Although they're sympathetic to Christ's dilemma, none of these quasi-"Deadheads" (did someone say cult?) really understands that Jesus has something serious to say--they just want to have a good time...
...This mix of jealousy and wounded pride proves a dangerous intoxicant; Bartelby later rebukes God, drunk with self-importance. It is this egotism that is God's foe, growing stronger with every ill-conceived rationalization Bartelby spews, until it is of Luciferian proportions. Not until the theophany of the last scene does the sight of the kind, matriarchal God reminds us that Bartelby's self-deification is something other than prideit is frustration with the fact that God loves him differently than She loves man. And we feel for Bartelby,, who is at last a soulful child, vying...