Word: mixer
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Dates: during 1960-1969
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...Theory of Mixers, by P. W. Snavely III, alias W. Randolph Thompson '68 and John C. Edmunds '68, reinforces its quasi-scholarly prose with photographs, quantifications, and curve analyses as it details how to pick a mixer, a girl, and a line...
...black stockings, and colored underwear, according to Snavely. Other positive factors are very long or very short hair, indicating "that a girl wants to characterize herself as anti-apple pie;" flatchestedness, making a girl tend to "prove her femininity and sexuality however she can;" and coming alone to the mixer, a show "of maturity and self-confidence which her flocking sisters cannot claim...
...passion, which is a dirty word from the Freshman Mixer to the Class Marshal Elections, has reared its dread head. We are being forced to be passionate or, if we choose not, to be anti-intellectual or perhaps immoral or perhaps wrong...
...short extremely happy, history of The Streetchoir began a few Fridays ago at an Adams House mixer. Crowds at mixers are not generally known for their intelligence and concentration, but that Friday, as fact and fuure legend will bear out, 90 per cent of the crowd stopped dancing and stood around the platform to watch Streetchoir's galvanizing first public performance. The tidal wave of applause that followed their last set rivalled the electrical intensity of Michael Tschudin's powerful organ solos...
Aspiring lawyers at the Harkness mixer Saturday night deluged The Streetchoir with requests for Louie Louie and "something slower we can dance to," but for the most part the group only plays its own material, a hard blues-rock incorporating the best of Chicago and San Francisco, frequently extending toward what's best in modern jazz. When they do play someone else's songs (Mick Jagger's Empty Heart, for one), Ivers tends to throw his harp away and accompany the other four with a running chorus of "I hate this song!" yelled at the audience. "We're The Streetchoir...