Word: miyuki
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...rest of his escape. Above the center of the panorama a bright red ball representing the hypocenter hangs by a cord. Kawamoto touches the pointer to the area of the playground, then moves it out into the city, away from the hypocenter, toward the Kyobashi River and the Miyuki Bridge...
...Near the Miyuki Bridge I met my classmate Kimura. Kimura belonged to the odd-numbered group, so he had been working in the streets when the bomb went off. His face was charred. He lived in West Hiroshima, and he said he was going home, which meant that he was heading back toward the direction of the hypocenter. I told him that it was impossible to go back, that the area was all in flames. He was delirious and would not listen to me. He only repeated, 'I want to go home. I want to go home.' He walked away...
...kept their own reservoirs in case of fires. The water in these reservoirs lay filthy and stagnant through the year, but Kawamoto was desperately thirsty. He started toward one of the reservoirs, but saw that people were lying dead, half in, half out of the water. Coming to the Miyuki Bridge at last, he leaped down the steep stone steps, stumbling over others plummeting down. There was a logjam of bodies at the base of the steps. "I was so scared." He tried to drink the muddy water, but spit it out. He clambered up the riverbank...
Much of what Kawamoto saw between the school playground and the Miyuki Bridge is exhibited in the museum he directs. It is after hours now, so he is free to move easily from display case to display case, using one exhibit or another to illustrate his story. During regular hours the museum is packed with schoolchildren in uniform, pressing their noses against the windows of the cases; chattering; some horseplay from the bigger boys. On display is all that became of Hiroshima once the bomb dropped, along with historical memorabilia such as the directive from Lieut. General Carl Spaatz, commander...
...keeping with Kon's taste for offbeat topics, Tokyo Godfathers follows a makeshift family of homeless people?transvestite ex-drag queen Hana, scruffy middle-aged bum Gin and runaway teenager Miyuki?who discover an abandoned baby in a garbage heap and embark on a search for its parents. It's a briskly paced comedy with a gentle core and a prickly surface. ("You can't get milk from an old queer's tits," yells Gin, mocking Hana's burgeoning maternal instincts.) Set during Christmas in a gorgeously detailed, snow-softened Tokyo, it's also one of the most affectionate, meticulous...