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...pointed out that the old analog camcorder some friends lent us last year--roughly the size and weight of a parking meter--isn't exactly state of the art. Video cameras began to shrink more than a decade ago with the introduction of 8-mm tape in cigarette pack-size cassettes that were far smaller than the bulky VHS tapes that fit in our borrowed recorder. Quality improved in 1989 with the introduction of Hi8 film, and it caught on with some 10 million consumers, making 8 mm and Hi8 the most popular format. (The closest competition...

Author: /time Magazine | Title: Versatile Video | 4/5/1999 | See Source »

That's where Sony's recent introduction of digital Hi8 cameras comes in, I explained to my wife. The cameras are backwards compatible and can play 8-mm or Hi8 tapes. You can even connect your old 8-mm camera to the Digital8, convert your old analog Aunt Sonya movies to digital and inflict them on future generations. The new Sony cameras have CD-like sound recording as well. And the four models are relatively cheap, starting at $799 and running as high as $1,299. The high-end unit, which features a nifty still-image feature and comes bundled...

Author: /time Magazine | Title: Versatile Video | 4/5/1999 | See Source »

Last showing of Alfred Hitchcock's "Psycho" in 35 mm the Brattle Theater, 40 Brattle...

Author: NO WRITER ATTRIBUTED | Title: THURSDAY FEB 25 | 2/25/1999 | See Source »

Like so many photographers of his day, and not just of his day, Brassai occasionally posed some of the people in pictures that look at first glance like candids. By the 1930s, photographers like Andre Kertesz and Henri Cartier-Bresson had begun to use the new 35-mm handheld Leicas, equipment that could capture fast movement. Brassai persisted in working with a Voigtlander Bergheil. A camera that used small glass plates instead of film--Brassai would eventually adapt it for conventional film--it required a tripod and long exposures. That in turn meant that his subjects usually knew they were...

Author: /time Magazine | Title: Photography: Brassai: The Night Watchman | 1/18/1999 | See Source »

...grossed over $1.6 million; the surplus of film schools; cheaper and more accessible technologies (credible-looking features can now be shot on digital video at a cost of about $20 for an hour of tape, as opposed to, say, $15,000 for an hour of 35-mm film stock and processing); easy credit. Estimates of the total number of independent films that will be made this year range upwards of 1,100. "And that's only completed films," says Jeff Lipsky, an executive at Samuel Goldwyn Films. "Lord knows how many more at least start production." By Lipsky's count...

Author: /time Magazine | Title: Truly Independent Cinema | 10/26/1998 | See Source »

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