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...help of a dozen soldiers and civilians he meets along the Via Dolorosa. Half of them are Americans, half Ambolanders; three are women. (All are played by Bob Gunton.) These "historical events" serve as avatars and parodies of the looking-glass warriors, and most of them are perversely delightful. Mme. Ing, the patrician Borgia who rules Amboland, ends every discussion with the despot's stern logic: "Mme. Ing has won that argument," she purrs. U.S. Army Lieutenant Thibodeaux brags that the service "taught me how to fight and how to swear"-and then demonstrates just how poorly he learned...

Author: /time Magazine | Title: Theater: Viet Nam Vaudeville | 12/22/1980 | See Source »

...newspapers, and the academic circles in which Althusser had moved, treated it with the same sort of erudition and emotion they had once directed toward his books and articles. The Communist newspaper L'Humanité's report reads like an obituary not so much for the murdered Mme. Althusser as for "our comrade," the Algerian-born, Catholic-reared philosopher who had switched from conservatism to Communism after five years as a German P.O.W. in World War II. Le Monde, which had published a series of Althusser's attacks on the French Communist party leadership, commented learnedly...

Author: /time Magazine | Title: World: Marx & Murder | 12/1/1980 | See Source »

This revival is marked by calculated risk that failed. All events in the play are shadowed by the auctioning off of Mme. Ranevsky's ancestral estate and its purchase by the businessman, Lopakhin. The old aristocracy is being toppled by the rising mercantile class...

Author: /time Magazine | Title: Theater: Shaw & Co. | 6/9/1980 | See Source »

Both as a directorial conception and as a casting decision, having Terence Kelly play Lopakhin is a mistake. Urbane, almost unctuous, he seems like an insurance man offering Mme. Ranevsky a real estate policy of cutting down the trees for a housing development. There should be a hush surrounding the regal presence of Mme. Ranevsky when she sweeps into a room. Carole Shelley resembles a '40s movie starlet posturing to capture a producer's eye. All this merely taps the defects in this production. Chekhov preached that the salvation of Russia lay in work. The Shaw Festival might...

Author: /time Magazine | Title: Theater: Shaw & Co. | 6/9/1980 | See Source »

...Polish family. He traveled around Europe sculpting public monuments and seducing women: at the time Misia's mother was pregnant with her in Belgium, her mother's own aunt in Russia was also pregnant by Godebski. Having trekked to St. Petersburg alone to confirm this monstrous news, Mme. Godebska died in childbirth. Misia grew up mostly in Parisian convents...

Author: /time Magazine | Title: Books: Angel of the Arts | 2/25/1980 | See Source »

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