Word: mme
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Busily at work on a series of drawings and lithographs based on Stonehenge, Henry Moore, 75, was summering at his house in Italy. Back home in England, Mme. Tussaud's Wax Museum was getting ready to unveil a likeness of Moore leaning against a pillar, on the other side of which is a wax figure of Pablo Picasso. Moore had already donated a navy blue suit, shirt, tie and handkerchief for his effigy and had been photographed and measured by Jean Fraser, the museum's chief sculptor. But after recording the last statistic, she confessed to Moore that...
Busily at work on a series of drawings and lithographs based on Stonehenge, Henry Moore, 75, was summering at his house in Italy. Back home in England, Mme. Tussaud's Wax Museum was getting ready to unveil a likeness of Moore leaning against a pillar, on the other side of which is a wax figure of Pablo Picasso. Moore had already donated a navy blue suit, shirt, tie and handkerchief for his efRgy and had been photographed and measured by Jean Fraser, the museum's chief sculptor. But after recording the last statistic, she confessed to Moore that...
...eleven other American women, whom she had been allowed to hand pick (she chose a representative group including a Puerto Rican, a Navajo Indian, a black civil rights worker, a George Wallace convention delegate and a twelve-year-old girl), Shirley was on her way to China to visit Mme. Sun Yatsen, Teng Yingchao, wife of Chou En-lai and Chiang Ching, wife of Mao Tse-tung. Shirley also hoped to "discuss with Mao and Chou how they have managed to stay revolutionary at such an elderly age." As for Chou, "We've all decided that...
...Fracci and The Sleeping Beauty, with Lynn Seymour, are both classical works. Field Figures, with Deanne Bergsma, choreographed by Glen Tetley, is a modern ballet. And Marguerite and Armand, with Dame Margot Fonteyn, choreographed by Sir Frederick Ashton especially for the pair, is based on Dumas's story of Mme. Recamier, the courtesan immortalized by Garbo in Camille. Ashton calls his ballet an "evocation poetique," but it is more like sentimental prose. The other pieces are adequate, but hardly thrilling. The biggest problem with using bits of complete works is that the audience stands a good chance of being bored...
...local celebrities, joined caravans of pilgrims and slaves. They sailed up and down the Nile, shaved their heads and wore tarbooshes, sat up late at night smoking long Turkish pipes and comparing their notes and observations. They kept diaries and wrote letters home-chaste and respectful ones to Mme. Flaubert, wildly lubricious ones to a poor sex-starved friend named Bouilhet-and later Du Camp wrote a book about their travels. Out of these materials Francis Steegmuller has translated excerpts and strung them together with brief comments of his own to make a lively and intermittently hilarious narrative...