Word: mobbing
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Dates: during 1970-1979
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...biggest blunder was made by Angelo Sepe, 37, a mob-connected hood who was on parole from an armed-robbery conviction. Unable to resist enjoying his new wealth, he ordered a sporty 1979 Thunderbird -and paid for the car with $9,000 in cash. He also bought a new Cadillac for his girlfriend. Before he picked up the T-bird, however, FBI agents fitted it with an eavesdropping bug and a small radio transmitter that constantly signaled its whereabouts. Sepe's next mistake was to boast about the Lufthansa caper to passengers in his car -taped conversations that...
...York Mafia family, are believed to have planned the crime and to be holding most of the loot. The FBI theory is that Joseph DiPalermo, a capo in the Lucchese group, supervised the plot and the disposition of the money and jewels. The authorities believe that the mob got the cooperation of Lufthansa employees on the inside by the time-honored method of inducing them to gamble, pressuring them to pay up, loaning them money at exorbitant rates and, finally, pointing out that they could cancel their debts by helping out with the heist...
...operation. The ten were to receive fees ranging from $10,000 to Werner's $300,000. The rest of the loot apparently went to DiPalermo and another Lucchese capo, Paul Vario, one of the regulars at the old Roberts Lounge, who supervises rackets at Kennedy Airport for the mob. By now, the FBI suspects the money probably has been effectively dispersed through a maze of Mafia business channels...
...worry," they told the Americans, before politely frisking them, escorting them down the stairs to the compound and eventually setting them free. But the rescuers, who had been dispatched to the embassy in response to Sullivan's repeated, desperate phone calls, were not able to fend off the mob that had gathered in the compound. Among others, Ambassador Sullivan was jostled, though not seriously injured, before the pro-Khomeini forces managed to clear the compound...
...years ago, the word salon was scorned in the art world. It suggested a chaotic visual mob scene with thousands of mediocre paintings and sculptures stacked from floor to ceiling of an exhibition hall, accepted or rejected at the whim of reactionary committees. Good art, it was felt, did not disclose itself in crowd scenes. It was found in small concentrations in private galleries, or in tightly curated theme shows in museums, or in artists' retrospectives. Lately, however, some virtues of the 19th century salon system−for until the rise of the private dealer in contemporary art after...