Word: mobilist
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Dates: during 1940-1949
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...cuts). None of the pieces showed any recognizable relation to the U. S. scene. Most abstract of all were: 1) a nut-&-bolt portrait by David Smith, virtuoso in scrap iron (TIME, Nov. 18); 2) a jittery, swaying mobile made out of fence wire and iron by U. S. Mobilist Alexander ("Sandy") Calder. Most arresting exhibit: a crawling, sluglike, headless, armless and legless female form in plaster with three hips, two breasts and a navel, modeled with necrophilic realism and euphemistically labeled The Span of Life, by Cleveland-born sculptor Hugo Robus. Prices ran from...