Word: mobster
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What makes High Sierra something more than a Grade B melodrama is its sensitive delineation of Gangster Earle's character. Superbly played by Actor Bogart, Earle is a complex human being, a farmer boy who turned mobster, a gunman with a string of murders on his record who still is shocked when newsmen call him "Mad-Dog" Earle. He is kind to the mongrel dog (Zero) that travels with him, befriends a taxi dancer (Ida Lupino) who becomes his moll, goes out of his way to help a crippled girl (Joan Leslie). All Roy Earle wants is freedom...
...afternoon. Others in the bar included George E. Browne, president of the stage hands' union, 12th vice president of A. F. of L. Once charged with being the "front" for the Capone mob, Browne boasted among officials of his union Willie Bioff, convicted panderer, Nick Circella, Chicago mobster...
...bolster Vito Gurino's memory, District Attorney O'Dwyer brought in one of his old pals, Angelo ("Julie") Catalano, State's witness. The two had not met since Gurino tried and failed to take his fellow mobster for a ride last spring because he feared that Catalano would talk. When Catalano saw his would-be assassin, he went white with terror, hid behind detectives. But as he listened to the whining confession, Catalano took heart, came out from behind his protectors, stared unbelievingly at the cringing fat man in the chair. At the end his smile...
Died. Max David Steuer, 69, slick, hawk-faced criminal lawyer who rescued many a careless bigwig and stumbling mobster from legal quicksands; of a heart attack; in Jackson, N. H. Born in Austria, Jewish Max Steuer emigrated to Manhattan as a boy, worked day & night to pay for his legal education. At the height of his career, candid, inconspicuous Steuer was reputed to have made $1,000,000 a year. Among his clients: Max ("Boo Boo") Hoff, Gangster John Torrio, ex-Governor Gifford Pinchot of Pennsylvania, Fight Promoter Tex Rickard, onetime Attorney General Harry M. Daugherty, Charles E. Mitchell, onetime...
...sound. His triumph is all the more thumping because, as a movie, The Earl of Chicago never quite knows where it is going. Starting as a comedy in Chicago, it turns into stark drama under the impact of British manners and manors. Silky, once a carefree, moronic young mobster, snapping rubber bands at a pair of shapely legs (their tantalizing owner never steps into the picture), goes to his death (by hanging) in the regalia and with the dignity of a peer of the realm...